Read an excerpt from Beauty, Beast, and Belladonna by Maia Chance
/About the Book
Variety hall actress Ophelia Flax has accepted the marriage proposal of the brutish Comte de Griffe to nettle her occasional investigative partner—and romantic sparring partner—the pompous if dashing Professor Penrose.
But the Comte’s boorish table manners, wild mane of hair, and habit of prowling away the wee hours has shredded Ophelia’s last nerve. She intends to disengage from her feral fiancé at his winter hunting party—until Penrose, his lovely new fiancée, and a stagecoach of stranded travelers arrive at the Comte’s sprawling château. Soon she can’t tell the boars from the bores.
When one of the guests is found clawed and bloody in the orangerie, Ophelia is determined to solve the murder before everyone starts believing the local version of Beauty and the Beast. But until the snows melt, she can’t trust her eyes—or her heart—since even the most civilized people hold beastly secrets.
Excerpt
Beware of allowing yourself to be prejudiced by appearances. –Gabrielle-Suzanne Barbot de Villeneuve, “Beauty and the Beast” (1756)
The day had arrived. Miss Ophelia Flax’s last day in Paris, her last day in Artemis Stunt’s gilt-edged apartment choked with woody perfumes and cigarette haze. Ophelia had chosen December 12th, 1867, at eleven o’clock in the morning as the precise time she would make a clean breast of it. And now it was half past ten.
Ophelia swept aside brocade curtains and shoved a window open. Rain spattered her face. She leaned out and squinted up the street. Boulevard Saint-Michel was a valley of stone buildings with iron balconies and steep slate roofs. Beyond carriages and bobbling umbrellas, a horse-drawn omnibus splashed closer.
“Time to go,” she said, and latched the window shut. She turned. “Good-bye, Henrietta. You will write to me—telegraph me, even—if Prue changes her mind about the convent?”
“Of course, darling.” Henrietta Bright sat at the vanity table, still in her frothy dressing gown. “But where shall I send a letter?” She shrugged a half-bare shoulder in the looking glass. Reassuring herself, no doubt, that at forty-odd years of age she was still just as dazzling as the New York theater critics used to say.
“I’ll let the clerk at Howard DeLuxe’s Varieties know my forwarding address,” Ophelia said. “Once I have one.” She pulled on cheap gloves with twice-darned fingertips.
“What will you do in New England?” Henrietta asked. “Besides getting buried under snowdrifts and puritans? I’ve been to Boston. The entire city is like a mortuary. No drinking on Sundays, either.” She sipped her glass of poison-green cordial. “Although, all that knuckle-rapping does make the gentlemen more generous with actresses like us when they get the chance.”
“Actresses like us?” Ophelia went to her carpetbag, packed and ready on the opulent bed that might’ve suited the Princess on the Pea. Ladies born and raised on New Hampshire farmsteads did not sleep in such beds. Not without prickles of guilt, at least. “I’m no longer an actress, Henrietta. Neither are you.” And they were never the same kind of actress. Or so Ophelia fervently wished to believe.
“No? Then what precisely do you call tricking the Count Griffe into believing you are a wealthy soap heiress from Cleveland, Ohio? Sunday school lessons?”
“I had to do it.” Ophelia dug in her carpetbag and pulled out a bonnet with crusty patches of glue where ribbon flowers once had been. She clamped it on her head. “I’m calling upon the Count Griffe at eleven o’clock, on my way to the steamship ticket office. I told you. He scarpered to England so soon after his proposal, I never had a chance to confess. He’s in Paris only today before he goes to his country château, so today is my last chance to tell him everything.”
“It’s horribly selfish of you not to wait two more weeks, Ophelia—two measly weeks.”
Not this old song and dance again. “Wait two more weeks so that you might accompany me to the hunting party at Griffe’s château? Stand around and twiddle my thumbs for two whole weeks while you hornswoggle some poor old gent into marrying you? Money and love don’t mix, you know.”
“What? They mix beautifully. And not hornswoggle, darling. Seduce. And Mr. Larsen isn’t a poor gentleman. He’s as rich as Midas. Artemis confirmed as much.”
“You know what I meant. Helpless.”
“Mr. Larsen is a widower, yes.” Henrietta smiled. “Deliciously helpless.”
“I must go now, Henrietta. Best of luck to you.”
“I’m certain Artemis would loan you her carriage—oh, wait. Principled Miss Ophelia Flax must forge her own path. Miss Ophelia Flax never accepts hand-outs or—”
“Artemis has been ever so kind, allowing me to stay here the last three weeks, and I couldn’t impose any more.” Artemis Stunt was Henrietta’s friend, a wealthy lady authoress. “I’ll miss my omnibus.” Ophelia pawed through the carpetbag, past her battered theatrical case and a patched petticoat, and drew out a small box. The box, shiny black with painted roses, had been a twenty-sixth birthday gift from Henrietta last week. It was richer than the rest of Ophelia’s possessions by miles, but it served a purpose: a place to hide her little nest egg.
The omnibus fare, she well knew from her month in Paris, was thirty centimes. She opened the box. Her lungs emptied like a bellows. A slip of paper curled around the ruby ring Griffe had given her. But her money—all of her hard-won money she’d scraped together working as a lady’s maid in Germany a few months back—was gone. Gone.
She swung toward Henrietta. “Where did you hide it?”
“Hide what?”
“My money!”
“Scowling like that will only give you wrinkles.”
“I don’t even have enough for the omnibus fare now.” Ophelia’s plans suddenly seemed vaporously fragile. “Now isn’t the time for jests, Henrietta. I must get to Griffe’s house so I might go to the steamship ticket office before it closes, and then on to the train station. The Cherbourg-New York ship leaves only once a fortnight.”
“Why don’t you simply keep that ring? You’ll be in the middle of the Atlantic before he even knows you’ve gone. If it’s a farm you desire, why, that ring will pay for five farms and two hundred cows.”
Ophelia wasn’t the smelling salts kind of lady, but her fingers shook as she replaced the box’s lid. “Never. I would never steal this ring—”
“He gave it to you. It wouldn’t be stealing.”
“—and I will never, ever become. . . .” Ophelia pressed her lips together.
“Become like me, darling?”
If Ophelia fleeced rich fellows to pay her way instead of working like honest folks, then she couldn’t live with herself. What would become of her? Would she find herself at forty in dressing gowns at midday and absinthe on her breath?
“You must realize I didn’t take your money, Ophelia. I’ve got my sights set rather higher than your pitiful little field mouse hoard. But I see how unhappy you are, so I’ll make you an offer.”
Ophelia knew the animal glint in Henrietta’s whiskey-colored eyes. “You wish to pay to accompany me to Griffe’s hunting party so that you might pursue Mr. Larsen. Is that it?
“Clever girl. You ought to set yourself up in a tent with a crystal ball. Yes. I’ll pay you whatever it was the servants stole—and I’ve no doubt it was one of those horrid Spanish maids that Artemis hired who pinched your money. Only keep up the Cleveland soap heiress ruse for two weeks longer, Ophelia, until I hook that Norwegian fish.”
Ophelia pictured the green fields and white-painted buildings of rural New England, and her throat ached with frustration. The trouble was, it was awfully difficult to forge your own path when you were always flat broke. “Pay me double or nothing,” she said.
“Deal. Forthwith will be so pleased.”
“Forthwith?” Ophelia frowned. “Forthwith Golden, conjurer of the stage? Do you mean to say he’ll be tagging along with us?”
“Mm.” Henrietta leaned close to the mirror and picked something from her teeth with her little fingernail. “He’s ever so keen for a jaunt in the country, and he adores blasting at beasts with guns.”
Saints preserve us.
About the Author
MAIA CHANCE writes historical mystery novels that are rife with absurd predicaments and romantic adventure. She is the author of the Fairy Tale Fatal series, The Discreet Retrieval Agency series and the Prohibition-era caper, Come Hell or Highball. Her first mystery, Snow White Red-Handed, was a national bestseller. Maia lives in Seattle, where she shakes a killer martini, grows a mean radish, and bakes mocha bundts to die for. She is a Ph.D. candidate for English at the University of Washington.
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