Spotlight: Worse Than Her Bite by Lauretta Hignett

Genre: Urban Fantasy

Publication Date: July 15th, 2026

Everything is falling into place.

There are only a couple of months to go before I turn eighteen, and I can take custody of my baby brother. My mother is still pretending I don't exist, which is a relief. Ronan is a little further along in the grieving process and not being such a giant sad sack anymore, which is also fantastic. We've got the blood witch on the run, and we've got plans to shrink the Hellmouth so nothing else can come out. I've even started making weapons for my Iron Man suit.

Therapy is going well, too. I'm starting to understand myself a little bit better. Especially with certain... realizations I've had lately.

Everything in my life is working out for the best. And I can't imagine anything possibly going wrong...

Right?

Worse Than Her Bite is book five in the Eternity College Chronicles, a fun new supernatural comedy and urban fantasy series that’s a little bit Buffy The Vampire Slayer, a little bit Wednesday, and a whole lot of Big Bang Theory.

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About the Author

Lauretta is an Amazon bestselling urban fantasy author with a passion for writing kickass characters, weird magical creatures, hilarious banter, and a touch of romance.

When she’s not writing, you'll find her enjoying terrible craft projects, unnecessarily complicated cocktails, and hanging out with her two little kids and her dog, Lola the delinquent lab cross.

In case you're here to check, please know that Lauretta does NOT use generative AI in any story or in any artworks in her books AT ALL. Every weird character and bizarre plotline comes entirely from her own brain, and she types every word herself. Support human art!

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Spotlight: The Unravelling of Ou by Hollay Ghadery

Moving on is hard. Even harder when it’s from a make-believe friend—someone, or in this instance, some thing—who’s been your strongest source of support. On what should be one of the happiest days ever, the day her granddaughter is born, Minoo is faced with a terrible choice: make a clean break from her constant companion, a sock puppet named Ecology Paul, or lose her daughter and granddaughter, and maybe all of the people she loves. On an emotional drive home from the hospital, Ecology Paul shares the story of how Minoo got to this point, recalling Minoo’s early teenage pregnancy in Iran, her exile to Canada, her questions about her sexuality, and how a ragtag sock puppet came to her when she desperately needed to be seen. Full of imagination, whimsy and heart, The Unravelling of Ou follows Minoo’s struggles to justify the puppet’s existence and untangle herself from her dependence on it and reconnect with the people she loves.

Excerpt

THERE ARE NO LOOSE ENDS; ONLY OUTCOMES WE DON’T LIKE

Minoo’s mother took her to Gilan in the summer of 1992. The province hugged the southwest shores of the Caspian Sea in northern Iran and was home to Parvin, one of her mother’s best friends from her school days. Parvin lived in Talesh County with her fifteen-year-old son, Darius, an infant daughter whose name Minoo can’t recall, and a husband who Minoo only encountered signs of around the house—an ashtray of freshly crushed cigarette butts, embers scattered and smoldering, the urgent wallop of Kouros aftershave in the bathroom each morning, a pair of worn brown loafers at the back door—but Minoo does not recall ever actually meeting him. Though she must have. She’s aware that in the three months she spent at that house, she must have met him at least once. But in the absence of a credible memory, in her mind, he’s taken on the form of Freddie Mercury: abundant mustache, elfin overbite, lithe form, and always just leaving the room.

She remembers clearly what was intangible. This is what I’m trying to say. Minoo had never heard of Freddie Mercury until she moved here, to Canada. Until she met Kit at the Immigrant Welcome Centre, and Kit—with her baby-elephant eyelashes and her gentle, clipped way of speaking, as if she were holding in some big secret—turned up the car radio and sang.

How she took Minoo’s hand in hers and held tight. But that was a different summer…

Not the summer in Gilan, with the ephemeral husband. With the bombination of bees around the cherry tree in the garden and a humming radiance that began in Minoo’s limbs and blossomed from her chest, freely. It’s what she remembers most, even though she knows—she’s been told—there are far more important things she should have remembered. There were far more serious matters at hand, if only she could be serious for one moment.

Minoo was slouched on her bed, sucking on the end of her thick braid, when her mother stormed into the room and slapped the hair out of her mouth. Spit flew and splattered against the wall. Minoo’s cheek burned and when she touched the heat with the cool tips of her fingers, she smiled: the relief. The thrill of that comfort.

“How did it happen?” her mother demanded to know.

“Stop smiling like a donkey and explain yourself!”

But at the time, Minoo couldn’t, the explanation being rooted in her body and her body being as it had always been: a distant, devious entity she was reluctantly, constantly, tied to. Mere hours earlier that day, her mother had reminded her that her body was offensive.

“I don’t care how hot it is. Cover your forearms, Minoo.”

“A bottom like that like two big balls of dough! It’s indecent for your age! At any age!”

And a few weeks before that night, that slap, shortly after they’d arrived in Gilan, Minoo’s period had materialized, and her mother had been dumbfounded to learn her daughter hadn’t brought any sanitary supplies.

“How does this happen?” her mother snapped, digging to the bottom of her own still unpacked suitcase for the box of pads she had remembered to bring. Her mother’s pads were wrapped in purple and looked thicker. When Minoo slipped one into her underwear, she felt like she had a sandwich between her legs. Hungry chuchul, she’d thought to herself and tittered as she walked through the kitchen to the backyard, and her mother, who was in the kitchen, and who never seemed to be far enough away to miss an opportunity to disapprove, furrowed her brows and tsked at the unknown, but undoubtedly, inappropriate source of Minoo’s mirth.

So, how does this happen? This is a serious question, hungry chuchuls aside. How did Minoo not realize she was going to have a period while she was away for an entire summer? She had started menstruating the year before, so she should have known it was coming, and yes, she would have if she’d paid attention to such things. But recall, her body wasn’t something that bore attention. Her period arrived every so often, and she didn’t concern herself with the where or why, remembering what her mother said the night she had gotten her first: menstruation may be natural, but that didn’t stop it from being vulgar.

“Aa-miane, Minoo,” her mother whispered to her in the darkness of Minoo’s bedroom that night, sucking air between her teeth. “Couldn’t you have waited for your father to leave in the morning?”

The way she’d stripped Minoo’s bed and rolled her sheets, underwear, and pajama bottoms into a tight bundle, her teeth bared in her smileless smile, nose twitching, alerted Minoo to the fact that she—the she still standing there, bare-bottomed and backed into the window, head and shoulders silhouetted by the streetlight as a sticky warmth dripped down her legs—was made invisible by the inconvenience of her body.

“Borro,” her mother said without looking up. “Clean yourself.”

In the morning, after her father left for work, her mother took Minoo to the bathroom and showed her how to conceal her pad with the wrapper of the next napkin before putting it in the garbage.

“If it’s very bloody, wrap it in toilet paper too. Do you understand?”

Minoo nodded. Her mother sighed, and for a brief moment, her eyes pooled. It only took that moment for Minoo’s mind to splinter with a memory: her mother sing-ming, taking Minoo’s small hands in hers and clapping them together.

Atal matal tootoole!

Govee Hasan che joore?

Na shir dare na pestoon!

Shiresho bordan hendestoon…

A silly nursery rhyme. Her mother pressing Minoo’s still baby-fat palm against her own cheeks and cooing the nonsense words to her. Giggling. Once, they’d giggled together.

Atal matal tootoole!

How is Hasan’s cow?

It has neither milk nor breast!

Its milk is shipped to India…

Minoo could still remember her mother singing, the trill of her own small voice joining in. They sang as they walked through the market. As they tended the roses in the courtyard. The roses her mother loved because, she said, “They are beautiful, but they also know how to protect themselves.” She pointed to a thorn. Minoo raised her tiny fists and widened her stance, in her childish approximation of a fighting stance. Minoo’s mother laughed lightly, then guided her daughter’s hands back down to her sides.

“No, jigaram,” she said. “Girls are not the same as roses.

Roses naturally grow thorns. Girls don’t. We are forced to grow those, as we get older, but it’s not natural. Mifahmi?”

Minoo nodded yes, even though she didn’t understand at all. What she knew was her elation at the appearance of her mother’s dimples, crescent moons carved into her cheeks, and how when her mother laughed, she often pressed her mouth into one of her shoulders, like she was trying to stifle her joy. Minoo wanted to take her mother’s face in her hands and lift it to the sun, let her laughter fill the sky.

Minoo couldn’t remember the sound of her mother’s laughter anymore. It grew small as Minoo grew big.

“Minoo!” her mother barked, bringing her back into the bathroom. “Do you understand? If it is too bloody, wrap it in toilet paper!” Minoo nodded. Nodded at the small garbage bin with tiny pink flowers on it. The oily black of her mother’s pupils dilating. Minoo nodded and kept nodding. “No one,” her mother repeated, “should be able to tell.” Her mother took Minoo’s head between her hands and brought its bobbing to stillness. She held her daughter’s gaze for a moment longer and moved as if to touch Minoo’s cheek. Instead, she pulled her in for a brief, spine-crushing embrace, and then pushed her away.

“Now go to school.”

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About the Author

Hollay Ghadery is a multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024 and was longlisted for the Toronto Book Award. Her debut novel, The Unraveling of Ou, was released with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is a host on The New Books Network, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the co-chair of the League of Canadian Poets BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com

Spotlight: Otto's Portal by Nathan Jorgenson

Pub Date: July 14, 2026
Genre: Fiction/Thriller/Suspense
Publisher: Flat Rock Publishing

While considering his own death, 91-year-old Theoretical Physicist Otto Helfritz posits that if our soul leaves our body when we die, there must be a force that holds body and soul together while we’re alive on earth. Even Einstein never contemplated such a force. And not only does this force exist, it can be measured.

Real history begins to blur with conjecture and myth in Otto’s Portal by Nathan Jorgenson. From post war London in 1946 to LBJ’s ranch in 1964, and then to a small Catholic church in northern Minnesota, Otto’s Portal rests between the abyss of man’s fears and the apex of his science, while a disparate cast of characters seeks redemption.

Excerpt

Excerpt from Otto’s Portal by Nathan Jorgenson (Flat Rock Publishing, 2026) Republished with permission.

“Do you believe that you have a soul?” Otto’s tone made it clear that he knew what Vince’s answer would be, and that he was going to use Vince’s answer to reach for something deeper.

“Certainly,” Vince replied.

“Of course you do. And you believe that it’s somehow connected to your body, correct? Until you die? Am I correct?” Otto asked, already certain of what Vince’s answer would be.

“Yes.”

“Okay, then how, exactly, is it held on to your body? What actually holds it on to your body at this moment, right now, while you’re alive? Why doesn’t it just drift away?”

Vince looked at Otto for a moment, and Otto read in his face that he was stumped. Otto could see that the search engine in Vince’s brain was not going to deliver an answer. But Vince gave it a try. “Well, when Jesus was on the cross, he turned to the criminal beside him, and—”

“Wait.” Otto held up his right hand and smiled. “Hold it, Father Vince. I know you’re searching for some sort of theological answer, and that’s not what I was getting at. I know that I sort of put you on the spot. And with all due respect, I did it on purpose. For just a moment, I want you to think about something else. I’d like you to forget Catholic theology, or maybe I should say religious dogma, and focus on the actual, physical process of death…and life.” Otto gave a shrug and repeated his question, “What happens, to your soul, when you die?” Otto waited for several seconds, then answered his own question. “It leaves your body, correct?”

“Yes. I guess that’s true,” Vince agreed.

“Sexton, would you like to weigh in on this?” Otto asked.

“Sure, Otto. I know what you’re getting at. Your soul leaves your body when you die,” Sexton added. “So what?”

“So, here’s the question, again, the thought that led me down this road…” Otto turned a sly, almost defiant grin toward them, paused, then continued, “What’s been holding your soul on to your body for your whole life? Why doesn’t it drift away before you die?” 

Vince and Sexton remained silent, considering the old man’s question, and unable to answer. That challenge was what Otto had planned all along. 

“You know that I’m a theoretical physicist, right? And for my long career, my job was to imagine something, some physical principal, and then design a way to prove, or disprove, my theory.” Otto glanced back and forth between Vince and Sexton.

“Yes,” Sexton said.

 “Think of Einstein’s famous thought experiment, the one that led to his theory of special relativity. He was staring at a clock, and the clock told him that it was two o’clock. Then he imagined that he was seated on a train, and moving away from that clock at the speed of light. And he wondered if the train he was on was moving at the same speed as the beam of light that came from the clock to his eyes, telling him that it was two o’clock…would it always be two o’clock for him? Would there be no passing of time for him on that train?”

Again, Vince and Sexton waited for Otto to continue.

Otto breathed slow, labored breaths when he spoke, and Vince heard his chest make a tiny, watery gurgle every time he inhaled. “Einstein questioned scientific dogma in a way that no one else ever had. I always wished that I could think like that, and examine things in the way that he did. I couldn’t do it, but then no one else could, either. Anyway, a few months ago, as I was considering my life—more accurately, the end of my life—I began to wonder, to imagine, what the moment of my death would be like. I imagined my soul just leaving my body after the last beat of my heart. And then I thought, what’s holding my soul on to my body right now? I mean, there must be some force that holds it in place…until it doesn’t. Right?” Otto looked at Sexton, then at Vince. “Then I began to wonder…it must be a real force, a force that has always existed, but a force that no one had ever looked for; one that could actually be measured, maybe. My thoughts began to track along a different path, one I’d never considered. In physics, we know that there are only four forces: the strong and weak nuclear forces, electromagnetism, and gravity. That’s it! That’s all there is. But what if there was one more…that had remained undetected?” 

Otto’s eyes opened wide as he looked at his friends now. “What if there has been a force sitting right there in front of us forever, and we never noticed? And that force—it would have to have an effect on the four other forces. A weak effect, certainly, but still, any mathematical equation in the search for Einstein’s unified theory, the theory of everything, would be incomplete without it, right? So, every search for the theory of everything would lead to a dead end.”

Otto looked back and forth between Sexton and Vince and saw a gradual awakening in their eyes.

“And you know that scientists still run tests to measure the values of these four known forces, and the values actually do fluctuate from time to time. The values of the forces in physics are not fixed.

“There’s one more thing,” Otto said, easing his narrative to its end. “This force would have to exist between something with mass—our bodies—and something with no mass—our souls. It’s sort of unimaginable, until someone imagines it. And then the tricky part is describing and quantifying that force. Think about it. It might serve as a bridge between our world and the next; a window that might give us a look into other dimensions.”

Otto’s words came faster now. “What if those other dimensions that string theory demands, but are so tiny, are right here!” He waved his hand over his head and in front of his face. “Maybe those dimensions are actually Heaven, and Hell, or the places where angels live, or demons?”

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About the Author

Nathan Jorgenson grew up in rural Minnesota where he cultivated a passion for athletics and the outdoors. He earned a DDS degree from the University of Minnesota, and began practicing dentistry in rural Minnesota. While running a business and raising a young family, he found time to write, having articles published in several outdoor magazines.

Jorgenson’s first novel, Waiting for White Horses (2004), started as a story that he told his ailing father and was eventually completed after his death. After winning the 2004 Benjamin Franklin Award for the Best New Voice in Fiction, Jorgenson continued writing novels, producing two more – The Mulligan (2007) and A Crooked Number (2011) – while working full-time as a dentist.​ Since his retirement, Jorgenson published Contrapasso (2019) and Otto’s Portal (2026).

Jorgenson lives in the north woods of Minnesota with his wife, and they enjoy visits from their children and grandchildren.

Connect: https://www.nathanjorgenson.com/

Spotlight: Bound Beauty by Jennifer Silverwood

(A Wylder Tale, #3)

Publication date: July 14th 2026

Genres: Adult, Fairy Tales, Fantasy, Romance

Forgotten gods haunt her steps, and the cursed prince she left behind isn’t done fighting for her soul.

Vynasha is bound to the prince of Bitterhelm. Even if she were to die, her spirit will remain trapped with him in the castle forever. But she won’t give in to Grendel without a fight. With the aid of an oracle, a witchling, and the wolf that claims her heart, Vynasha plans to claim her power as the curse breaker.

Ceddrych guards their nephew secretly while fighting to keep the feral beasts roaming their borders at bay. But the monsters are closing in, and the madness he has struggled with drives him to one desperate, unforgivable act.

A war is about to begin between the forgotten people of Wylderland and the cruel might of Bitterhelm. Beings of prophecy and legend unite in the epic third chapter of the Wylder Tales Series, a romantic gothic re-telling of Beauty and the Beast.

 WYLDER TALES is a series of romantic dark fairy tales, set in the past of the wider Borderlands Saga, and includes:
•slow burn romantasy
•forced proximity
•enemies to lovers
•found family
•magical bonds
•wicked witches
•burly beasts
•morally gray characters

Excerpt

IN A FORGOTTEN CASTLE IN WYLDERLAND…

Alone with Grendel, the man she had been tempted to love, the prince she loathed, Vynasha didn’t want to wake up. Let her sleep for a thousand years like the cursed princess, Morana. Let these walls crumble, the rose garden spread throughout the keep with thorns and vines to keep the world out forever.

“I know you are awake, Ashes.”

Vynasha opened her eyes. The prince stood before the hearth, his back to her. He hadn’t changed clothes since she had last seen him. Yet his faintly luminous skin had dimmed from bronze to the dull gray she remembered. “What happened?” she asked.

“A fever in your sleep. Odym says it was the runes.” Grendel’s shoulders hunched as he hung his head. “I should not have come, I know this. But I…” he twisted to face her. “Forgive me, Vynasha, but I cannot stay away from you any longer. I could feel your pain through the bond, yet there was nothing I could do to stop her,” he growled. “Do not ask me to leave you again, I beg of you.”

Vynasha should have been disgusted, but she was coming to accept the fact that Odym had been right. No matter how she truly felt, they needed each other. And she could not deny the way his words danced about her mind and breathed life back into her limbs.

“I wish I could tell you I was different,” he continued, “before my mother cursed me. But the truth is, I was always a monster.” Grendel drew his shoulders back and lifted his chin, pushing away from the fireplace mantel. He shook his head and held his hands before him, palms upturned. “I never wanted to be my father. I shall not make his mistakes, and so I will be honest with you, Ash. No more secrets.”

She shuddered and desperately wished she could bathe, could banish dreams of Nymwe and be rid of the prince. The dread she felt before only grew as Grendel paused, clenching his fists as though steeling himself for words he could not take back.

“I owe you everything, so much more than you know. When you willingly accepted the curse, you took some of the monster into you. I have not been forced to change into a beast ever since. It has given me time to remember myself in your absence, who I was and who I hope to be.”

Vynasha ground her sharp teeth. So they not only shared a bond with his spirit, but she had taken part of his beast? That they were forced to share something she had learned to take pride in made her ill.

Whatever he saw in her face must have pained him, enough for him to turn away. “Forgive me. I shall go. I should have never hoped…” He shook his head, dispelling whatever he might have said as he took two more steps to the door.

She traced the tip of her tongue on her lip, tasting the blood she spilled to forget. His hand was on the doorknob when she said, “Wait.” The strength behind her command surprised her and caused the prince to freeze in place.

Vynasha lifted her hand with surprising ease. “Stay?”

We need each other.

His graying skin flickered to golden life as he turned with hope burning in his violet eyes. “Always.”

At his word, his promise, Vynasha released the breath she didn’t know she had been holding. Even then, a small corner of her mind railed against her actions, at the feelings she couldn’t seem to control. It must Grendel’s influence, his feelings trickling through their bond.

This is wrong.

Still, she couldn’t deny how the persistent itch beneath her skin abated with him beside her, holding her hand. It shouldn’t have mattered. Truly, she hated how easily she gave in to these feelings. She could never tell him. Grendel had bound her life to his. Even if she were to leave, to beg the wylderfolk to take her back into their home, she would never be rid of him. And the longer she remained in the prince’s castle, the less she wanted to be free.

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About the Author

Jennifer Silverwood lives in the middle of an enchanted forest surrounded by cursed books, nosy spirits, and mischievous goblins she calls her children. After beginning several nonsensical degrees, she found her calling helping other authors bring their books to life. Jennifer is the author of two fairy tale fantasy series: the Borderlands Saga and Wylder Tales. Because she wasn't satisfied writing in one genre, she also invites you to explore uncharted space with the Heaven’s Edge Novellas—and dare to fall in love again with the standalone romance titles Stay and She Walks in Moonlight.

Connect:

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Cover Reveal: The Mortal Trials by Casey L. Bond

Genre: New Adult Epic Fantasy  

Publication Date: Sept. 7, 2026

In a game of gods… If you win, you lose. If you lose, you die. 

Callalie Ryan came home from war in pieces—her body broken, her name smeared across headlines, and her family in ruins. When the goddess Morrigan drags her from her desert home and orders her to Olympus, Callalie is forced into The Mortal Trials: five brutal contests staged by gods who find delight in mortal suffering, hosted by Ares, Greek god of war.

With a rusted prosthetic that shrieks with every step and a family the gods use as leverage, Callalie must outlast god-conjured beasts, shifting rules, and posturing pantheons long enough to secure a divine champion. But she’s not the only one paying the price… She soon learns that many of the other contenders have been drawn into the games by their connection to her.

How do you play a game where every victory is a punishment and showing mercy might get you killed? As heroes fall and tentative alliances are tested, Callalie must decide how much of her humanity she’s willing to sacrifice to survive the gods betting on her ruin. 

Welcome to The Mortal Trials, where victory is just another kind of death.

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About the Author

Casey Bond lives on a rural farm in West Virginia with her husband and their two beautiful daughters. She writes phoenixes – gloriously flawed and morally gray characters that fiercely rise from the ashes of their circumstances. World building is one of her favorite hobbies, along with stamping metal jewelry, swimming, and enjoying the beauty of nature. She thinks thunderstorms are better than coffee and that watching a meteor shower is the closest thing to magic you might ever see. She’s a firm believer that every amazing book needs a world you want to wrap yourself in, a character you want to win, and a love you would fight for. 

Casey is the award-winning author of When Wishes Bleed, Gravebriar, and House of Eclipses.

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Spotlight: Otherside by Sara Barkat

Jason is abducted as a child from Earth and survives in the care of a hard-edged Empire orphanage in The Rime until he reaches the age of “service.” Chosen by a young aristocrat, Jan, who has a family history to build on and a long-standing war to win, Jason grows alongside her, navigating her political world while harboring a secret desire to return to Earth and find his lost family. But the Others are bearing down on him and the entire Empire, leaving Jason, Jan, and his friends with irrevocable choices that threaten their deepest desires and ideals.

Excerpt

Jason had spent the week off-duty in the port-houses, floating tethered by massive cables to the ground of the planet, upon which the elevators would run up into the low-atmosphere. Those places were neither here nor there, and no one looked twice at anything. He spent the week gambling away exactly thirty percent of his monthly credits; he kept the rest locked to send directly to savings. He wasn’t going to end up washed up like old Tomo, who spent the time shuttling between his job sorting the recyclables and the casinos where he spent all his money before he could use any of it. But even old Tomo was good enough to hang out with; if you could get him to leave the hooks for two seconds. Jason had his ways; yanking them off worked. The disorientation of leaving the VR made Tomo mad enough and dizzy enough to be dragged off without a fuss to go eat and take care of himself and perhaps be bribed into a story before he drifted back into the dripmachines.

“Why d’you wanna hear about it?” Tomo said, with a singular frown. His icy blue eyes were still intimidating, his big, calloused hands threaded through with stick-tags and rings.

“I told you,” Jason said, like always. “You’re the only one who ever escaped.”

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About the Author

Sara Barkat is the author of the National Indie Excellence Awards finalist The Shivering Ground & Other Stories, which the great book critic John Wilson declared after reading, "Sara Barkat is an original."

Besides writing fiction, she is also the illustrator of two gothic stories in graphic novel form: H.P. Lovecraft's The Colour out of Space and Charlotte Perkins Gilman's The Yellow Wall-Paper.

Sara adores art, sailing, random coding projects, and quantum physics. You can find her at sarabarkat.com