Q&A with Adele Parks, Just My Luck

How much research do you do before beginning to write a book? Do you go to locations, ride with police, go to see an autopsy, etc.

For me, one of the best things about being a writer is that I get to poke around in so many different worlds. I am not limited to my own career or viewpoint. I can - and do - research so many other professions, lifestyles, businesses or scenarios. Over the years, I have shadowed people who worked in the TV industry, teachers, police, florists, charity workers, bankers, photographers, prison wardens, librarians…I pride myself on being as thorough as possible in my research, especially if someone else’s profession is involved. For example, with my novels that have any crime procedure included, I interview police people, I visit their places of work and I also ask them to read over the parts of the novel that relate to their world. It’s critical to me that I not only get the facts spot on, but also nail the tone of voice and language that might be used. For Just My Luck I worked closely with some people who work at the British lottery company, I also interviewed lottery winners.

I often join forums and support groups that relate to my plotlines, it’s a great way to research. I have joined forums for people who have won the lottery, others where the objective is to support alcoholics, forums for Alzheimer’s sufferers and those who care for them, and for people with rare specific genetic diseases. I always declare that I am an author doing research, because I think it’s only fair that people know who they are sharing with. I find people who have been through these challenging life situations are often looking to tell their stories.

I always visit the locations where I set my novels and become familiar with them. I research in galleries, museums and libraries too. I’m certain I’ll never attend an autopsy though; I’m fairly squeamish!

What hobbies do you enjoy?

First and foremost, I am a reader. I always have a book with me and most of my down time you will find me with my nose buried. I am also a big fan of upscaling furniture. I enjoy mooching around junk shops, vintage fairs and eBay. I am always buying bits of old furniture, which I then, strip, paint, stain, or have re-upholstered etc. I love finding something that is past it’s best and no longer loved, then breathing new life into it. I really value having unique one-off pieces, that have a story behind them, in my home. I also enjoy walking and practicing yoga.

Do you write under one name for all books across genres or do you have other AKA's?

I write under my name all the time, no matter what genre. Looking back, I’m not sure this was my smartest marketing move. Maybe I should have written my historical novels (IF YOU GO AWAY and SPARE BRIDES) under a pseudonym as they are set during WW1 and the 1920s and quite a different feel from all my other novels which are contemporary. However, even within my contemporary novels I’ve written in different genres - from romantic comedy to dark psychological thrillers and domestic noir. If I’d had a different name for each genre that might have got confusing too! I can see an advantage of writing under a different name. It might have saved my blushes; some of my novels are quite steamy in places and when my son was younger, the school gate was sometimes a little awkward if the other mums were reading my novels!

What’s your favorite part of writing suspense?

I’m a great fan of the plot! I do pride myself on rather unexpected but utterly believable reveals and twists. The intellectual challenge of constructing plots is unquestionably my favorite part of writing. The best suspense novels continually astonish and defy the reader until the final page. How great is it when we think we’re heading in one direction, but the author spins us around and takes us somewhere else? That’s what I like to achieve, action that appeals to sharp, inquisitive minds.

I also love taking my readers on an emotional ride. It’s undoubtedly compelling for readers to track a seemingly ordinary family and then watch as something exceptional happens when they’re placed under extraordinary stress. I believe we’re all capable of horrendous actions under the right – maybe that should be wrong – circumstances. A fascination with darkness is part of being human. We all have light and dark in us but we’re not heartless, books provide a safe environment to explore these different lives without ruining our own or anyone else’s.

Do you prefer reading and/or writing suspense with elements of romance? Why or why not?

I don’t think I mind whether there is romance in a book or not, but I do need relationships of some kind. Without a doubt, the most important thing in life is my relationships with people, yes my romantic relationship – now limited as I’m married 😉 - but also my relationship with my son, my parents, sister, friends. For me, in real life, stakes are always highest when my relationships are threatened in some way, or when the people I love are in turmoil or jeopardy. I do not think I’m alone in this. Ultimately, the vast majority of us prioritize relationships over fame, money or career. I believe we are defined by who we love and who we are loved by. Therefore, in the suspense novels I write, I use relationships as a device that heightens the drama and the potential threat. Suspense novels do not have to be full of blood and dead bodies (although they can be!). I think the most successful ones are those where the reader feels a sense of familiarity and connection with the characters or environment. We believe the story really could happen, and most awfully, it could happen to us. For me, the best suspense looks at the horror that goes on in seemingly normal everyday families.

From the books you’ve written or read, who has been your favorite villain and why?

What a great question, I’ve never been asked it before. Thinking about it now though, I realize I’m not a fan of the villain. I’m always rooting for the goodie, I guess I’m secretly very square. I do like writing villains though, possibly because they get to say all the harsh one-liners that I only ever think up way after the efficacy has passed! Villains are dangerous, extreme and usually selfish or cruel. They are also quite often glamourous and charismatic, so definitely fun to write.

What was your inspiration behind the book?

A friend of mine works for the lottery company in the UK. He was telling me fun stories about what winners spend on, what their reactions were to hearing the news they’ve won, how the lottery company has a duty of care towards the winners etc. It was all fascinating. Then he just casually commented, ‘We always offer to arrange security for their children if the win is seriously big’. I found that so interesting. Imagine, the best moment of your life, being handed a check for millions and then suddenly realizing your family were now at risk in a way they never had been before. That was the moment I thought, I really need to write about this!

Q&A with Allison Brennan, Tell No Lies

How much research do you do before beginning to write a book? Do you go to locations, ride with police, go to see an autopsy, etc.

Research is one of my favorite parts of writing. Because I’ve been writing for more than a decade, I’ve been doing research for just as long. I’ve been to most locations I’ve written about, though sometimes long ago (and I rely on Google Earth, books, and friends to keep me up to date about changes.) I’ve gone on ride-alongs with law enforcement, I’ve been to the morgue twice and observed not only an autopsy, but have talked to technicians and toured the crypt.

I also went through the FBI Citizens Academy in 2008, when I was in the middle of writing my 8th book. After that, I had multiple agents to call upon for help with details; I toured Quantico twice, the national FBI Headquarters, interviewed both senior and brand new agents about their different experiences in the academy and on the job, and participated in numerous SWAT training drills as a “role player.” What does that mean? I’ve played the part of the bad guy, a hostage, and a victim based on the scenario they were training for. I’ve observed dozens of different scenarios as they drill them, including high-risk traffic stops. I once observed a live ammunition drill from the catwalk, which was both scary and exhilarating. 

I recognize that I can’t put everything I learn into my books, and that because I write fiction sometimes reality is too slow and I need to speed things up (trust me, you don’t want to watch my characters doing paperwork!) But I try to write my books to be as realistic as possible.

What’s your favorite part of writing suspense?

Everything! I love suspense. I read it as a child (Trixie Belden, Nancy Drew, Agatha Christie, Stephen King) and I read it now. I love romantic suspense (I’m a sucker for happy endings); police procedurals; and race-against-time thrillers. When I’m writing, my absolute favorite part is when everything comes together near the end and I have that “AHA!” moment. It’s exhilarating and worth every struggle along the way. 

I’d also have to say that suspense is part of every story. If there’s no suspense, it’s a boring character study. I want to have that physical reaction in my story -- the sense of impending doom and “OMG, how are they going to get out of this?” -- and if I get it while writing, my readers will feel it when reading.

From the books you’ve written or read, who has been your favorite villain and why?

A: The Man in Black, Randall Flagg, is one of the most compelling and scary villains I’ve read, created by the master Stephen King in THE STAND (though Flagg has also shown up in other books.) Favorite? Maybe not. But definitely the villain that stuck with me for the rest of my life. In my books, I’ve created a couple of villains who I’ve actually sympathized with (while condemning their crimes) because their backstories are so tragic -- such as in TEMPTING EVIL. My favorite villain to write was Elise Hansen Hunt who popped up in several books, including the recent COLD AS ICE. She is young, reckless, violent, and I never knew what she might do. I’ve written several serial killers, who are always scary because you never quite know what’s going to happen with them. For example, in the first Quinn & Costa book, the killer was so focused and determined I worried he would outwit my good guys. 

Villains should be both believable and realistic, so sometimes the most compelling are those who you can almost sympathize with, or at least understand, even when you are horrified by their crimes.

What hobbies do you enjoy?

Reading (duh!), baseball (go Giants!), television (too many shows to list), hiking (except during the Arizona summer), shooting at the gun range (my daughter is a cop and great instructor), video games (with my boys -- at least that’s my excuse.) A little known fact about me … for years I used to make my own soap. It was fun, relaxing, and always made the house smell amazing. 

Do you write under one name for all books across genres or do you have other AKA's?

Just me! Allison Brennan is my legal name. In fact, I once told my husband if he ever left, I was keeping the name. Ha. 

Funny story -- I bought my website domain allisonbrennan.com right after I sold my first book. This was 2004. I wanted to make sure I had it when I had books to put up there. A year later I got an email from someone named Allison Brennan. She tried to buy the site but couldn’t -- she was also a writer (a journalist) and wanted to know how I picked the name and if she could buy it from me. Small world! (There’s also an Allison Brennan who is a Olympic diver, an Allison Brennan who is a gymnast, and an Allison Brennan who lived in my town -- we used the same pharmacy, the same vet, went to the same church, and both had sons named Luke. Yet we never met!)

Hit Hard: One Family’s Journey of Letting Go of What Was and Learning to Live Well With What Is by Tammy McLeod

I wrote Hit Hard seven years after my sixteen-year-old son suffered a traumatic brain injury playing football and became severely disabled for life. After a year of trying dozens of interventions, it was clear that Zach wasn’t going to have a full recovery. I started reading grief books, but they didn’t connect with me. My son didn’t die, but he wasn’t the same. 

Meanwhile, the different ways that my husband and children dealt with our loss torqued the relationships within our family. I asked several colleagues and friends for recommendations for books that addressed the type of loss we were experiencing. Finding none, I finally called the librarian at Zach’s rehab hospital to see if he could recommend any books or resources for people dealing with our kind of loss. 

The following day the librarian said that the name of the type of loss we were dealing with was ambiguous loss, and he sent two articles by Pauline Boss. I read them and ordered her book. When it arrived I devoured it; finally I felt understood. 

At that time I was in graduate school working on a degree in spiritual formation. I decided to write a research paper on the topic. As I processed this research with one of my professors, she told me, “There is a book here.” She planted the seed. 

I was compelled by two factors. First, I needed to figure this out for my own sanity and for the survival of our marriage and family. Second, I wanted to write the book that I wish someone could have given to me a year after Zach’s injury—a book that named the type of loss with which I was dealing, that validated my pain, and that helped me better navigate the ambiguity and stresses of this kind of loss. 

The book never would have been written without the enthusiastic support of my professor. She offered to be my supervisor for two self-directed grad school courses. The writing assignment for the first course was the book proposal and the second course the first few chapters of the book. For another class assignment, my husband and I attended a writing conference where we pitched the book. 

Interestingly, the agent who chose to represent us, the contact at the publishing house who bought the book, and the collaborative writer who got our book in its final form, all had their own personal experiences with ambiguous loss. We saw from the beginning how ubiquitous ambiguous loss is. People wanted to see the book become a reality because it addressed one of the greatest felt needs in their own lives—coping with an ambiguous loss. 

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Writing the book helped me process the pain of the loss. Through many tears I wrote scene after scene. Writing not only helped me to connect more deeply with my losses, but also helped me to see the good coming out of the tragedy.

Second, writing together helped Pat and I see more clearly why we were having conflict in ambiguous loss, and that led to the resolution of some of the conflict. Consequently, writing the book helped us grow closer in our marriage.

Writing also helped me find my voice in the chaos. We both wrote from our own perspective, and readers enjoyed seeing the ways two people looked at things differently and how our marriage survived.

We also had one of our young-adult sons read the first draft of our book and suggest edits. He encouraged us to be more authentic in our writing, and working together on the book drew us closer to him also. 

When our publisher asked for a second draft with more transparency, it helped us be more honest about our emotions.

Last, writing the book helped me see that God could use the tragedy we went through to help others. Hearing people talk about how the book helped them was encouraging.

I hope:

that people feel validated in their ambiguous loss and are relieved to learn that their loss has a name.

that Hit Hard will stimulate readers to be gentle with themselves and their loved ones as they journey through the world of ambiguous loss.

that it will help repair marriages and other relationships that have been torqued by loss.

that readers are inspired by Zach’s life—one full of joy and still loving God and people though he has suffered much loss.

that readers learn to grieve their losses better.

that readers learn skills that help them become more resilient in ambiguous loss.

that readers come to know God for the first time, come back to God, or stay near God.

that readers find hope.

About the Author

Tammy McLeod and her husband Pat McLeod coauthored the book Hit Hard: One Family’s Journey of Letting Go of What Was--and Learning to Live Well with What Is in which they share their journey into the world of ambiguous loss that began after their son suffered a traumatic brain injury playing football. Pat and Tammy serve as Harvard Chaplains for Cru, an interdenominational Christian ministry. 

Tammy is also the Director of College Ministry at Park Street Church in Boston. She received her MA in Spiritual Formation from Gordon-Conwell Theological Seminary. For more information, please visit https://patandtammymcleod.com

Q&A with M.D. House, Pillars of Barabbas

Book 2 of the Barabbas series, Pillars of Barabbas, seeks to imagine how Barabbas, the prisoner released in exchange for Jesus, continued to progress after accepting Christ and joining himself to the body of the church. How did you come to visualize his path?

My original plans for Barabbas have evolved in surprising ways. To a large degree, I, too, have been led on a journey of discovering possibilities, seeing things I hadn’t contemplated before.

That evolution occurs as I study the history—including the New Testament of the Bible—and continually try to place myself in the full milieu of that time period, recognizing how similar those people were to us. Ideas come, and the links in the chain form. It is an incredible—and deeply fulfilling—process. The final product is astounding to me, because it’s not what I expected.

What research into the history and politics of the time did you do?

I’ve purchased a few books on ancient Rome, plus New and Old Testament commentaries, and there are many decent resources available online as well. I’ll never be accused of writing a dissertation on the history of the time period, and I realize that much of the scholarship isn’t perfectly harmonious, but it was good to study events and people from various angles, even when the accounts sometimes conflicted.

As we know, history is written by the victors. It is also often changed later by those in power who seek to cast a particular light on past events, groups of people, etc. in order to promote current political or social aims. With that in mind, I used what I consider the most reliable of the ancient sources—the New Testament—and built frameworks from there that made sense given some of the secular histories and our common human nature.

My wife and I also took a trip to Rome, and part of the reason was so that I could “feel the bones” of the Eternal City, particularly the ancient ruins. It was everything I had hoped for. When writing about Rome, I can now say that I’ve walked those streets and been able to imagine how Paul, Peter, and early church members felt as they walked the same cobbled roads, humbly carrying the greatest message the world has ever known.

Other significant Biblical figures make appearances in the novel. How did you choose them?

As in Book 1, the Apostle Paul is most prominent, but Peter and his brother Andrew also play significant roles in the story. Peter, of course, was the Lord’s chief apostle on the earth, and his leadership was instrumental in the growing strength of the new church. Barabbas interacts with Peter in both Jerusalem and Rome, while Andrew spends time in Eastern Africa with Cornelius, who reprises his role from Book 1, though he has retired from the Roman army to focus on building the kingdom of God on earth. I’ve really fallen in love with Cornelius and his family and wish I had as much courage and faith.

Mary the mother of Jesus is mentioned in Book 2, as she passes away, but her friend Joanna enters the scene, joining another strong and influential woman—Priscilla, wife of Aquila—in having a significant impact. It seemed fitting to cover Mary’s passing, which resulted in a full reunion with her son Jesus. Pondering that pulls on the heartstrings. Joanna had been a prominent supporter of Jesus during his mortal ministry, and it was likely she continued to be a bright light for the saints.

Luke is also present, both as Paul’s companion and on his own. What a faithful, loyal, and revered man Luke was! Paul treasured his companionship and advice, and he was a prolific and impactful writer. In what other ways was he a blessing during his time?

What significant non-Biblical historical figures appear in the story?

Nero plays the largest role, which makes sense given the focus on Rome. A lot has been written about Nero (full regal name—not birth name—Nero Claudius Caesar Augustus Germanicus) over the last two millennia, much of it conflicting. I’m sure that, like all of us, he was a complex individual with both good and bad traits. He was young—just sixteen—when the emperorship was thrust upon him, his mother reportedly having his adopted father, Emperor Claudius, poisoned.

What would a conversation between an apostle of Jesus Christ and the Emperor of Rome have looked like? I’m 100% convinced that at least one conversation took place. Paul was a well-known ‘prisoner’ who had appealed to the Emperor based on his status as a Roman citizen, and he spent significant time in Rome with little hindrance to his movements, building up the church and encouraging the saints. In my telling of the story, more than one conversation takes place, and those were fascinating to write.

Another historical figure I brought in was a known member of the Roman Senate from that time frame—Manius Acilius Aviola. There is no known historical record of him being a Christian, but in the story he is one, and he provides crucial support to Paul and the saints.

The primary theme from Book 1 was personal redemption. What is the primary theme of Book 2?

There are two primary themes in Book 2: Triumph through Adversity, which the burgeoning church of Christ surely experienced, and Every Soul is Precious, which lies at the heart of the Savior’s message in all ages of the world.

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So, while the new church was growing in numbers and influence, while faith and attendant miracles were increasing, the purpose wasn’t to make God look good, or even powerful. The purpose was to save souls, individual souls with unlimited, eternal potential.

The primary difference between Christ and Satan is that Satan seeks to rule over us for his own glory, while Christ leads us along a path of self-mastery and knowledge that will bring us limitless, joyous glory—both personal and familial—and that is what Christ rejoices in.

Why do women play such a prominent role in church leadership as you have imagined it among the early Christian saints?

When Christ established his church, he spent at least forty days training his disciples how to administer it and help it grow. He most certainly would have made it crystal clear how valuable each and every person—male or female, regardless of perceivable physical attributes—was to the growth, function and purpose of the kingdom of God.

That seems obvious to most of us now, but most societies of the time were politically and economically dominated by males, even if those males were often influenced by mothers, wives, sisters, daughters, etc. Christ’s church was refreshingly different, with men and women both playing prominent roles in decision-making and execution. That was difficult for some people to accept, and persecutions arose from it, but God values all of his children equally, and all have valuable talents that we can only ignore at our peril.

What lessons can today’s readers take away from the lives of the early saints and the men and women who led them?

They were real people, facing real challenges with which each of us can identify. They were steeped in myriad entrenched traditions and doctrines, but their souls had come from the hallowed halls of heaven. Twinges of remembrance reverberated in their hearts when they heard the message of the gospel, when the great atoning sacrifice of the Savior was announced and explained to them.

Their spirits rejoiced, and yet the vicissitudes and temptations of mortality continued to challenge them. Satan continuously tried to beat them down and convince them it wasn’t worth getting back up and trying to be the kind of person Christ had shown them they could become. In their basic essence, our experiences are exactly the same.

Can Pillars of Barabbas help readers strengthen their faith in Jesus Christ?

I certainly hope so, yes. That was the intent. Pillars of Barabbas and I Was Called Barabbas were written with a scriptural foundation. The teachings of Christ are presented throughout, in the words and actions of the various characters, including well-known personalities like the Apostles Peter, Paul, and Andrew, the Centurion Cornelius, the ever-faithful Luke and Joanna, and the wise Aquila and Priscilla.

But beyond just reading about the teachings of Christ, we must commune with him and heed those teachings, continually. Redemption is a life-long process. It requires a tremendous amount of work and determination. It’s worth it, especially as we help each other and become unified in following our Savior. Unity in Christ is our true strength, because mortal ethnicity, skin color, economic station, etc. don’t matter a whit when it comes to accessing his promised blessings, both here and in the eternities.

What other projects are you working on?

I’ll soon start planning Book 3, the final book of the Barabbas series. One of the major events in that book will be the horrific Roman siege of Jerusalem by Titus, during and after which as much as 90% of the Jewish inhabitants were killed. Christ himself had foretold the event, but nobody had imagined something so drastically awful could happen. There’s more research to do on what happened to the Christians in Jerusalem. Many suggest they were warned to leave before the siege happened. Either way, the church was already building centers of influence elsewhere, particularly in Rome.

I’ve just started working again on the sequel to my first novel, which was soft sci-fi with a political and religious bent, titled Patriot Star. I had set that sequel aside several years ago after getting through about 60% of the first draft, but after recently re-reading it—and having received several requests—I’ve decided to pick it back up. Revealing the title would be a spoiler, so I won’t … yet.

For LDS Christians, I’m well along toward completing the first draft of a story about a man born in 70-80 BC and referred to in the Book of Mormon only as “the servant of Helaman” (which is also the working title). Political intrigues, questions of faith in Christ, and the horrible impacts of violent conflict will make this an intense ride over a short period of time (~ two years). Writing this story has been immensely enjoyable, similar to the journey Barabbas has been giving me.

It’s because I have so many projects going on now that I’ve stepped away from a lucrative business career. It’s a risk worth taking. I love telling these stories, and I firmly hope they aren’t just entertaining, but genuinely useful to people.

I’ll be sure to keep people updated on my projects through my website (www.mdhouselive.com) and my Facebook page (www.facebook.com/LiteraryThunder). I’ll do a bit of blogging here and there as well.

Q & A with Felix Holzapfel, Catch-42

When did you first realize you wanted to be a writer? Or what first inspired you to write?

I'm the youngest of four, so I needed to talk a lot to get heard at all. I guess that's one of the reasons I’ve been a good storyteller ever since I was a little kid. When I finished first grade, my teacher commented on my report card that I fascinated my classmates with my stories. I’ve also loved reading since I was little, but I was never a good writer. One day, my friend Jana read one of my business plans and told me, "Felix, your stories and your ability to express yourself are amazing, but your writing is horrible! Have you ever thought about shortening your sentences? You know, turning one sentences into two, three, or even four or more?" This straightforward advice, which none of my teachers ever gave me, improved my writing significantly.

What do you think makes a good story?

I enjoy stories that combine an intoxicating plot with elements that teach me something or make me think. I also love stories that turn complex and demanding topics and knowledge into something I want to learn more about. And if people have something to tell, memoirs can make good stories, too.

What inspired your story?

Three main elements inspired me:

First, my having worked for two decades in the IT and digital marketing industry.

While explaining the latest trends to an elite audience, I thought that parts of IT are knowledge everyone should have—especially in our day, when technology is omnipresent and about to change some of humanity’s fundamentals.

Second, after selling our company, I took a one-year sabbatical to travel the world with my wife and our two children. I visited creative hotspots and benefitted from fascinating conversations with industry experts, entrepreneurs, and other inspiring people. Many of these inspirations found their way into the book.

Third, we returned home in February 2020, just before Covid-19 changed the world. This extraordinary stroke of fate influenced what I had been thinking about and added new ideas to my initial concept for this book.

Is there a message/theme in your novel that you want readers to grasp?

Yes! Don’t ever think you’re not capable of influencing the bigger picture. If everybody felt that way, a few would paint the bigger picture for all of us—a picture that’s not likely to match our expectations. If we each contribute our little piece, the bigger picture of our future will become more significant, more colorful, and more beautiful than we can imagine. Contributing is up to all of us.

With this book, I want to encourage as many people as possible to think—from radically new perspectives—how humanity, technology, the economy, and our society might develop in the future. Even better, I want people to think about how they would like our world to change and how each of us can become an active part in the decision-making process that has already begun.

What was your greatest challenge in writing this book?

I thought my greatest challenge would be writing the book in English instead of my first language, German, but thanks to the support of my wonderful editors Howard and Darby, language turned out to be a minor concern.

The greatest challenge was creating a complex plot with all its layers and linking different storylines and demanding topics across different worlds and times. I'm pretty good at being able to stay focused for a very long time. But writing this book brought me from time to time to my limits. Sometimes my wife or the kids would enter the room and ask me a simple question, or something would distract me for a couple of seconds, and an entire construct in my mind would collapse, forcing me to start all over again. But over time, I got better. And—I'm still married to my wife, and the kids have forgiven me for not giving them the attention they deserved while I was in the zone writing the manuscript.

If your book was turned into a movie, who would you like to play the main characters?

On the one hand, of course it would be amazing if some famous Hollywood celebrities played the main characters in my book. On the other hand, I'm a huge fan of talented underdogs. If I dream big and wild, somebody like Christopher Nolan or Quentin Tarantino would produce the movie and create a cast of actors hardly anybody knows yet. Together they would turn my book into an international blockbuster that would win several Academy Awards and make all of them rich and famous—with me remaining in the background enjoying everyone’s success.

You took a one-year sabbatical to travel the world with your wife and your two children. You say that you found a lot of inspiration during this journey that helped you hone this book's idea. Can you give us examples of what inspired you?

While we were traveling, so many things inspired me every day that it feels unfair to pick out just a view. But let me try:

In many places we visited, nature reminded us of how unimportant human beings are. We are just short-term visitors—often behaving, unfortunately, like we are the owners.

We met plenty of different people with plenty of different backgrounds at plenty of different locations. We were lucky and had many insightful conversations about such topics as the different social and cultural standards in other regions of the world; the use of technology; life in general. Many of these conversations found their way into this book.

Traveling with a four-year-old and a two-year-old slows you down perfectly and healthily—especially if you have as much travel time as we did. Instead of rushing from one destination to the next we stayed at least three days at every place we visited. The little ones are excellent in teaching that it's often not the big but the alleged small things in life that matter. While adults are excited by large highlights like the sequoia trees in the Yosemite National Park, children have much more fun throwing small leaves into a rapid at Lewis Creek.

What's the best writing advice you ever received?

I'm almost ashamed to admit it because it's so basic and the 101 of writing. But sometimes, the easiest things can be the most challenging: "Show, don’t tell."

Q&A with Karen Warner Schueler, The Sudden Caregiver

Where/When do you best like to write?

I’m an early riser. I like the morning quiet, a cup of coffee, an open laptop and a blank screen. For most of my life I wrote with pen and paper, typing up my stories later. Writing on my laptop is faster, easier, and I’ve gotten good at the brain-heart-fingertips connection. When I started writing The Sudden Caregiver, I was a new widow, raw with grief. It was spring in Beaufort, so I took Fenway, my coffee and laptop, mornings, out to my porch, where I could look up from my writing at any time and catch a dolphin breakfasting in the shallow water around my dock. When the weather is fine, that’s still my favorite place to write. When the weather isn’t fine, I write at my kitchen counter.

What do you think makes a good story?

I was educated by the Sisters of Saint Joseph, so, as a writer, the obvious answer is “man against man,” “man against nature,” and “man against himself.” Something must be overcome and the protagonist must be changed by it. I prefer Eudaimonic endings to apocalyptic ones. Eudaimonia is Aristotle’s ancient concept that, while the protagonist might not have a classically happy ending, they have evolved and grown into their best self. They are engaged in meaningful work, pursuing it with purpose. 

In my book on caregiving, for example, you know in the first sentence that my husband has left us here on earth to make our way without him. By definition, this story does not have a traditional “happy ending.” But the point of the book is what I call “The Caregiver’s Paradox,” that caregiving sucks and is a source of meaning and well-being. My book, definitely “man against nature,” takes you on a journey of resilience-building in the face of illness. It does not end with Joel being cured. That would be a happy ending, but that’s not real life. It does end with the lessons I learned. That’s a Eudaimonic ending. 

As a reader I also appreciate precise and significant emotional detail. John Updike was the master of this. He mentions his character seeing his married lover’s car in the parking lot of the grocery store – a mundane suburban detail, yet it conveys a kind of naïve happiness that has not yet confronted the reality of their situation. His work is filled with this kind of detail.

What inspired your story?

My own lived experience as a caregiver. I kept a daily journal from the time of my husband’s diagnosis well beyond the first year after his death. I was and am inspired to help other caregivers, everywhere. There are 45 million in the US alone. How can I hold a light up for them on the path that I just traveled?

How does a new story idea come to you? Is it an event that sparks the plot or a character speaking to you?

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When I became a caregiver, I was looking for a roadmap to inform the journey ahead and couldn’t find one that would help me corral the future into something manageable. My need to write, to create, is sparked by my wish to fill a void, to help others by sharing something I’ve become sure of. 

Is there a message/theme in your book that you want readers to grasp?

That caregiving is both a source of stress and a source of well-being but you need to intentionally embrace that notion, not just hope it happens. If you do embrace it, it will happen. There’s research and evidence on that point. It’s not just luck.

What was your greatest challenge in writing this book?

In a word, grief. In order to help other caregivers benefit from my experience, I knew I would write this book even before Joel died. The week after his funeral, I joined a writing group run by one of my colleagues at Penn – now a good friend – Kathryn Britton. During the first year of widowhood, my grief and fear were so profound that they stunned me. They rolled over me in waves, like driving in and out of a thunderstorm. Pounding rain one minute, spangling sunshine the next. 

Writing this book was my form of grieving, of processing all Joel and I had been through together and accepting the fact that Joel had left me to do this part of it alone. It is incredibly painful to write about the loss of your husband and life partner, who had defined every aspect of your life. Often writing about what happened brought the pain front and center. But then I’d write through the pain and find something beautiful and necessary on the other side of it. It took me four years to write this book, partly because it was so emotionally demanding.

Who are some of your favorite authors?

Winston Churchill. Ernest Hemingway. John Steinbeck. John Updike. Anita Brookner. Elizabeth Berg. Milan Kundera. Hilary Mantel. Eric Larson. Annie Lamont. Isabel Wilkerson. I’ve read more than one book – sometimes all their books -- by each of these authors, so I suppose I like authors who create a body of work that I know I will look forward to reading.  I also read a fair amount of non-fiction that presents ideas I can leverage in my work. Martin Seligman. Adam Grant. Barbara Fredrickson. Angela Duckworth. Jonathan Haidt. 

What’s the best writing advice you have ever received?

My late husband, Joel Kurtzman, published 20 business books across his lifetime. He was a journalist and an editor. Even though this is my first book, I’ve always been writing something – short stories, how-to marketing or leadership advice. Whenever I was stuck, he’d say to me, “Just write the first sentence.” This combines two of my favorite pieces of advice for writers: Ernest Hemingway’s, “All you have to do is write one true sentence. Write the truest sentence that you know.” And Annie Lamott’s, “bird by bird,” referring to a time when her young brother was struggling with a homework project about birds. She says, “Then my father sat down beside him, put his arm around my brother’s shoulder and said, ‘Bird by bird, buddy. Just take it bird by bird.’”

What is the one book no writer should be without?

Strunk and White’s The Elements of Style. The Chicago Manual of Style is a close second.