Writing Tribe to Writing Ship by Wendy Terrien

I started this writing journey six years ago, clueless and alone.

The alone part I expected—I didn’t know any professional writers. But the clueless part was a surprise. I thought I was a pretty good writer. I thought I could do this with a little studying, a little tweaking. I thought I knew how to write a good story.

I did not.

I turned to Google for guidance and I dodged my share of charlatans and swindlers who promised to hold my hand and publish my book for a fee. I found resources to explore. And I did a lot of research. 

Through all of this, I discovered the Pikes Peak Writers Conference (PPWC) about to happen in my own back yard, and I signed up. A few weeks later I found myself at a hotel in Colorado Springs surrounded by people—writers—asking me what I wrote, if I was pitching, and had I been querying. To each I answered, “Nothing yet.” “What is pitching?” And, “No—how does one query?” Suffice it to say I was that deer in those oncoming headlights. But I learned tons. And my brain loved it. And I felt a whole new kind of excitement about what I was doing.

All of it was fantastic. But the best part was the beginning build of my writing tribe. 

At PPWC I met writers who are still friends today. And they’ve led me to new experiences and new people. To new workshops, and training, and books on craft. To new ideas, and new writing projects. I’m thankful for every bit of it, and I share my knowledge and discoveries with them, too. We grow together.

But most of all, the writing tribe I’ve built around me has become that thing, the significant variable that’s carried me from newbie writer to published author. And they’re not just a tribe—they are my solid ship on what can be a turbulent ocean. They are an aircraft carrier.

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A strong writing tribe carries great power. They offer valuable feedback, they understand your trials, and they celebrate your successes. I’ve learned a lot, and continue to learn, from my tribe. I know I can lean on them when I need it, and I’m motivated by their success. They inspire me. They lift me up. And honestly, they are the reason I’m about to release my debut novel, THE RAMPART GUARDS. I believed I could do it because I saw them do it. And they believe in me.

A lot of people ask what advice I’d offer new writers. Hopefully I’ve made my advice clear in this post. Find those supportive people and surround yourself with them, share this journey with them. Doing so makes a huge difference in your overall experience. But note the key aspect of this advice—supportive people. Supportive, positive writers who have the same goals and dreams you do—to write a great story and share it with the world.

Does that mean finding writers who are brimming with self-confidence and expect to rule the world? Thankfully, no. I mean how many writers have you met that are free of self-doubt and never question their own ability to produce quality work? I think the imposter syndrome sneaks up on the best of us. We’re human. Doubt happens.

What it does mean is finding those people who, bottom line, sincerely celebrate your successes, whatever those may be. Small, big, grand—they are truly happy for you in every instance. Having that around you is an amazing energy. It’s the true essence of honor and love. It feels damn good, and it’s a feeling we all deserve. 

Embrace the writers with heart. Leave the phonies back at the dock—no one needs those types of people in their tribe. And remember, a rising tide lifts all aircraft carriers. Your success radiates out and touches others in a positive way, as does their success to you. Celebrate all of it.

About the Author

Wendy Terrien has been writing stories since she was in grade school. Her debut novel The Rampart Guards (February 29, 2016) is the first in her intriguing urban fantasy series.

Inspired by an episode of Bones that suspected a killer to be a fabled chupacabra, Wendy was fascinated and dove into research about cryptozoology - the study of animals that may or may not exist, or cryptids.  Pouring over stories, videos and photographs of creatures others had seen all over the world, Wendy developed her own story to share with middle grade, young adult and grown-up readers.

Raised in Salt Lake City, Wendy graduated from the University of Utah and soon transplanted to Colorado where she completed her MBA at the University of Denver.  Having applied her marketing expertise to the financial and network security industries, it wasn’t until a career coach stepped in that she fully immersed herself in her passion for writing. Wendy began attending writers conferences, workshops and retreats.

She regularly participates in two critique groups and is the Secretary of Rocky Mountain Fiction Writers and a member of Pikes Peak Writers and the Society of Children’s Book Writers and Illustrators. In 2014, she was a finalist in the San Francisco Writer’s Contest and in March, will release a novella in the anthology Tick Tock: Seven Tales of Time.

Wendy lives in Colorado with her husband Kevin and their three dogs: Maggie, Shea and Boon. All three of her dogs are rescues and Wendy is extremely passionate about promoting shelter adoptions. If you’re ever in Colorado, you may even be able to spot her by her “Adopt a Shelter Pet” license plates.

Genre-Hoppers Wanted! by A.B. Michaels

Those of us who enjoy reading romance know there are a gazillion ways to tell a good love story. But we have wildly different opinions as to what type of story satisfies us best. Is it a family-driven contemporary? A suspense novel filled with bad guys on the loose? Maybe immersing yourself in a   bygone era does the trick, or a love story sprinkled with a touch of magic.

Reading the same type of romance (what the industry calls “sub-genres”) all the time can be very enjoyable, but it can also get … well, boring. A few years back I read a lot of books by one author in one sub-genre and while it was comforting to revisit the same territory, after a while I was thinking, “Hmmm, these stories are sounding an awful lot alike.”

That’s why, when I started actually writing romance, I made a point to follow the story rather than stick to a specific sub-genre track.  Instead of writing all my books as contemporary romantic suspense, for instance, I let my imagination lead me.  Whichever character or event clamored the loudest in my head was the one whose story I crafted next.  As a result, my series “Sinner’s Grove” revolves around the family and colleagues of an artists’ retreat on the coast of northern California, and the nearby town of Little Eden. The story begins in the late 19th century, before the retreat is even founded, and it follows two parallel story lines, one historical and one contemporary.  

Frankly, taking that approach has been a pain in the butt for two reasons: one is that, as I mentioned above, a lot of readers don’t like “genre hopping.”  They really enjoy contemporary stories, but could care less about delving into history, or vice versa. So I have had more than a few reviews that begin with, “I don’t normally read books like this, but…”

It’s also been difficult because when you’re writing about different generations of the same family (not to mention their friends and enemies), you have to make darn sure that all the puzzle pieces fit together properly.  For example, the heroine of my third contemporary (which will come out next year) is the granddaughter of the heroine of The Depth of Beauty, which just came out.  I need to make sure their stories complement one another with everything from when they were born to how they look and ways in which they are connected through family traits, inheritance, etc. it gets pretty confusing at times!

The best way to deal with those issues—single-track readers and complicated story lines—is to make sure I write the most entertaining, page-turning story possible, that compels the reader to follow the next installment, wherever it leads, even if it’s out of the reader’s comfort zone, because they know it’ll be an equally satisfying read.  At the same time (and this seems counter-intuitive), I have to make sure each story stands on its own.  I don’t like feeling as if I’ve arrived late to a party where I don’t know a soul.  As a reader, I find that frustrating, and a definite turn-off when it comes to reading more by that author.

I hope that even if one particular romance sub-genre remains your favorite, you’ll take a chance on “Sinner’s Grove.”  It’s worth a genre hop or two to find out what happens to these characters and their offspring – you’ll enjoy the journey, I promise!

About the Author

Born and raised in northern California, A.B. Michaels holds master's degrees in history and broadcasting, and worked for many years in the public relations and marketing fields. An avid quilter and bocce player, she currently lives in Boise, Idaho with her husband and two furry "sons" who don't seem to realize they're just dogs

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About the Book

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A stand-alone historical novel, The Depth of Beauty follows on the heels of A.B. Michaels’ award-winning fiction debut, The Art of Love.

Born to wealth and prestige, handsome and successful in his own right, Will Firestone is the crème de la crème of 1903 San Francisco society.  But when a business venture draws him into the city’s reviled Chinatown, his notions of what matters in life are tested in the extreme.  With the help of an exotic young mother and a mysterious orphan, Will embarks on a journey of self-discovery, where love, danger and tragedy will change his life forever.

The Depth of Beauty is part of a dual-genre series, “Sinner’s Grove,” which chronicles the family and friends of a world-famous artists’ retreat on the northern California coast.  The stories follow both historical and contemporary tracks, and can be read separately or together for greater depth.  Other titles in the series include the contemporary suspense novels Sinner’s Grove and The Lair.

Book Excerpt

He emerged from the trees to see Mandy standing at the water’s edge. She was facing the ocean, so he could only see the back of her. She had taken off her shirtwaist and her skirt, leaving only her chemise and a petticoat. Her feet were bare and her rich, dark red hair flowed down her back.

She was bewitching.

She was trying without success to skip rocks into the calm water. Will’s own heart skipped. He knew he should respect Mandy’s privacy and leave, but his attraction to her kept him rooted to the spot. He watched her arms, those same pale, graceful limbs the baby doc had touched during the presentation. His fists coiled in response.

He couldn’t stand it. “I can show you a better way,” he called out, walking toward her.

Startled, she turned, and when she saw him, she too froze. She glanced at her clothing sitting on a piece of driftwood, and Will reflexively took off his own jacket. “Here,” he said, beginning to cover her as if she were a child. He paused, looking at the swell of her breasts beneath the filmy material of her undergarment. They were rising and falling with her rapid breaths.

She was anything but a child.

He looked up and lost himself in her almond eyes.

Mandy was the first to break the spell. “What did you mean, a better way?” she asked softly.

He stepped back. “Skipping rocks. Hard to do in the ocean, but it can be done.” He looked down at the sand where they stood. “First, find the flattest rock you can. Not too big, about the size of your palm.” He picked one up and stood close to her again, reaching for her hand, turning it over, and placing the rock in it. “You hold it like this,” he murmured, taking her fingers and wrapping them properly around the stone. He absorbed the feel of his hand touching hers and wanted to hold it properly, as a suitor would, even though he knew he couldn’t. He looked around for another rock to demonstrate the throw. “You stand like so, pull your arm back and flick your wrist, so that it spins. See?” He demonstrated and they watched his rock skip four times before disappearing into the water.

Mandy smiled with delight and looked up at him. “I want to do that!” she cried.

“Then give it a whirl,” he said.

It took several tries before she was able to skip a rock even twice, but she reacted as if she had just climbed Mount Everest. “I did it!” she crowed.

Will couldn’t help but grin at her enthusiasm. “I’ll attest to it,” he agreed.

They stayed in companionable silence for a bit longer until, once again, Mandy brought them back to reality. “I don’t think you came down here to teach me how to skip rocks,” she said. “Why did you come?”

He had practiced his little speech on the way down the hill. Why was he so loathe to begin it now? He took a deep breath. It had to be done. “I heard that Ethel Steubens quit and that you’ve, um, stepped into her place, as it were.”

Mandy’s voice lost its levity. “Who told you?”

“Peter Raines.”

She nodded. “I should have known. He’s beyond worried about what Lia might think.”

“So, he’s correct? You’ve been displaying yourself in the … altogether?”

She looked at him with the knowing expression of a woman twice her age. “Do you mean, have I been modeling naked?” She squared her shoulders. “The answer is yes.”

Something primal escaped him—something he had worked hard to control. “Well, you are damn well not going to do it anymore.”

A Heroine to Believe In by Michelle Bellon

Today I was asked, “How do you write an adventurous heroine?”

I paused, knowing they’ve read Rogue Alliance and they’re referring to Shyla, a rough around the edges, detective trying to escape her troubled childhood. Well, rough around the edges is putting it mildly. Let’s be honest. She’s a mess. And readers love her.

It’s such a good question. How could I adequately describe how I created this complex character? I had to stop and think back to what it means for me when I’m reading a new book and discover a fabulous female lead.

What I discovered is that what I love most about a good heroine is her flaws. Does that sound weird? Maybe it does at first but if you stop and think back to some of your favorite books, I think you’ll often discover that some of your favorite characters to read, even if you didn’t necessarily like them, were the ones who struggled with very real quirks and flaws. This is what makes them fascinating. This is what draws the reader in. This is what makes them real.

I’m finding myself more and more disappointed in a good number of books these days because of the fact that they are lacking the flawed aspects of their characters. It seems that a good majority of stories these days introduce the male protagonist and the female protagonist and immediately you sense there will be the formulaic romance to follow, which is fine, that’s a successful formula for a reason. We like romance! The trouble I have is how inclined we are now to write the fairytale version where no one has any real issues along the way. They may have trust issues, insecurities, they may struggle with a small secret, but in the end, it’s nothing real fascinating. It’s fairly boring.

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So I ask myself, what do I like to read in a female lead? Well, she has to be tough yet vulnerable. I don’t know about you but I’m tired of reading about women who are so insecure they don’t know how to think their way out of a wet paper bag. I’m tired of reading about a woman who needs saved by a man. Now pause…I’m not saying I don’t like when a man can save a woman. We all love a good hero rescuing his woman scene. Who doesn’t? What I’m saying is that it’s still important to have your heroine be strong without her hero. It’s a fine balance, I know. It is a delicate dance to create a realistic female character these days because if you make her too strong you run the risk of destroying her femininity and then you just have a bad ass female with very little potential for other personality traits. In fact, for some readers it can be a turn-off. That’s when, as the creator of this character, you decide to show your heroines flaws and insecurities. You show what she’s afraid of under that tough exterior. You show what she struggles with. And by all means, you allow her to make mistakes.

So often now, you can be reading along, enjoying a book and you can actually sense the writer hesitating as they hold back their characters. Instead of allowing their female to make a real mistake, something that could be detrimental or even ethical, because they are so afraid of how it will make their reader feel, that their character won’t seem “perfect” anymore, so they keep it safe. I say go ahead, make the mistake! I want to read a book that has me at the edge of my seat saying, “Oh, my god! I can’t believe she just did that!” That’s how your character grows and learns and overcomes. That’s how your character endears the reader. That’s how your female lead becomes THE HEROINE!

Michelle Bellon lives in the Pacific Northwest with her four children and boyfriend, Seth. She loves coffee and has an addiction to chapstick. 

She works at a surgery center as a registered nurse and in her spare time writes novels. She writes in the genres of romance suspense, young adult, women’s fiction, and literary fiction. She has won four literary awards to include making finalist in the New Age category in the USA Book Awards for her latest release, The Fire Inside.

Connect with Michelle: Website | Facebook | Twitter

Q&A with BJ Daniels, Reunion at Cardwell Ranch

What’s your favorite love story? Fiction or non-fiction.

My husband and I had a lot of obstacles when we started out. But love really does conquer all. It’s an amazing love story that just keeps getting better.

You have to wear a t-shirt with one word on it for the rest of your life. Which word do you choose? 

I love this question. Cowgirl-Up. If that isn’t considered one word, then I would choose Persist.

What punctuation mark best describes your personality? Why?

Yep, it would be ! My life has been amazing. I wake up excited to see what the day will bring.

What was your favorite scene to write in Reunion at Cardwell Ranch? Why?

I loved the first scene where he sees the cat burglar running across the roofline. It was a pivotal point for Laramie. Once he decided to get involved, he was hooked – even before the kiss. 

What was the hardest scene to write? Why? 

After you’ve written more than 80 fight scenes...it is really hard to come up with something new and different. That was the hardest for me. I just want the bad guy caught and my hero and heroine to get together.

What is your favorite part of the day?

Mornings. I love waking up to sunshine. It just inspires me.

How did you choose to start writing in the Romance genre?

Actually it chose me. I wanted to write mysteries. But my first fiction sale was to Woman’s World magazine. I had to add romance and I realized I liked the relationship in my stories. About then Harlequin had just begun its Intrigue line. I figured they started it just for me. 

Is anything in Reunion at Cardwell Ranch based on real life experiences or purely all imagination?

All my books are pure fiction. However, we used to have a cabin in the Gallatin Canyon some miles from Big Sky (long before Big Sky). So it is easy to write about a place where I used to dress up like Davy Crockett and play cowboy and Indians. 

What did you find most useful in learning to write?  What was least useful or most destructive?

Writing a lot. I went to work for a newspaper so I had a lot of writing experience on deadlines. I learned to write tight and get to the point. I learned so much by writing and being edited and learning to edit myself.

The hardest part for most aspiring writers is finding the time to write.  It took me a while because I didn’t treat it like a job at first. Once I did, everything fell into place.

Do you write more by logic or intuition, or some combination of the two?  Summarize your writing process. 

My process is all intuition. I swear it comes from outer space and I just type in the stories.  I have no idea where it comes from since I am a true seat of the pants writer. But I love the process since I get to know my characters and the story as I write, so it is always a surprise for me too. 

B.J. DANIELS, a USA Today and New York Times bestselling author, wrote her first book after a career as an award-winning newspaper journalist and author of 37 published short stories. That first book, Odd Man Out, received a four and a half star review from Romantic Times magazine and went on to be nominated for Best Intrigue for that year. Since then she has won numerous awards including a career achievement award for romantic suspense and numerous nominations and awards for best book. Daniels lives in Montana with her husband, Parker, and two springer spaniels, Spot and Jem. When she isn’t writing, she snowboards, camps, boats and plays tennis. She is a member of Mystery Writers of America, Sisters in Crime, Thriller Writers, Kiss of Death and Romance Writers of America.

The Difficulty in Writing a Series by Karri Thompson

I personally love reading series, Harry Potter being my personal favorite, followed by The Lord of the Rings, and The Hunger Games. Since The Lord of the Rings Trilogy was published before I was born, I was able to read all three books in a row. I didn’t read Harry Potter or The Hunger Games until after I saw one or more of the movies, so even with those two contemporary series, I was able to read one book after the other. There was no waiting for the next book to be released.

In fact, I can’t remember ever reading a book and then having to wait for the next in the series, but I have done that for movies, so I think I have a pretty good idea what it feels like – excitement coupled with the frustration of having to wait, followed by the anticipation for the next book, and the build-up of tension as the release date comes closer. The waiting is what makes a series difficult for a reader, but when it comes to the writer, there are two different things that make it difficult, at least for me.

Those two things are making sure it is consistent, and then providing enough backstory for the reader who did not read the first book or books or the reader who doesn’t remember all of the details from the other book or books.

When I wrote the second book in the Van Winkle Series, ASCENDANCY, I had to keep flipping through the first book, MIRROR X, to make sure descriptions of revisited settings were similar. When it came to character descriptions, even though they were my characters, I found myself not remembering the eye colors of secondary characters or what color uniforms certain characters wore. I also had to check for things such as the spelling and capitalization of certain words I used. For example, I’d ask myself, “In MIRROR X, was the hospital Gen H1, GenH1, or Gen-H1?” It got the point that it was easier to download MIRROR X onto my Kindle, so I could type in a word and do a quick search in order to answer these questions more quickly. Making sure it was consistent wasn’t annoying, it was just time consuming, and when I’m writing, I want to keep going and not stop every few pages to check it against the another book or books in the series.

Providing just the right amount of back story is also difficult for me. I don’t want to add too much, which could slow down the plot and also get readers bored, since they already know those details. But at the same time, there needs to be enough to prompt the memories of people who have read the other books while giving enough backstory to fill in the reader who started the series, let’s say, with book two.

This is where a good editor becomes especially helpful. In the first pass of edits, my editor at Entangled publishing suggest where I need to add more backstory about a particular relationship or situation. She’ll also cut out backstory that she finds is unnecessary or will have me condense backstory that drags down the plot. When it came to ASCENDANCY, she also gave the manuscript to another editor to read – someone who did not read MIRROR X. If the editor was confused during certain scenes or with the relationships among characters, we knew that a new reader would be, too. I made the changes accordingly.

The same process is starting to happen right now as I’m working on the third book in The Van Winkle Project series, RELEGATION (working title). ASCENDANCY is on my Kindle for reference, and although I’m doing my best to put in enough backstory, there are experts who I know will make it just right for the reader.

When it comes to being consistent, the copy editor also plays a role in that area. Sometimes the copy editor will notice something that the editor and I didn’t catch. It always helps to have a fresh pair of eyes. 

As difficult as consistency and backstory may be when it comes to writing a series, I love writing them. It gives me a chance to revisit a world and its characters again and again, and I can only hope that readers love revisiting it, too.

Karri Thompson, a native of San Diego, California, grew up hanging out at the beach, playing sports, and eventually attending San Diego State University where she earned her bachelor’s degree in English and master’s degree in education.  When she’s not nerding out at San Diego Comic-Con or watching Star Wars and The Lord of the Rings movies for the umpteenth time, she can be seen doing normal people stuff like teaching high-school English, cooking delicious meals for her family (she attributes all of her culinary skills to the Food Network), and attending her son’s football games.  In her spare time, she writes young adult and new adult fiction, her biggest passion, and loves listening to hard rock music and going to concerts.  She hopes to live long and prosper, and that you will, too.

Connect with Karri: Website | Facebook | Twitter | Instagram: authorkarrithompso

Q&A with Allison Leigh, Fortune’s Secret Heir

List two books you’ve read more than three times. 

The entire Harry Potter series.

Is anything in Fortune’s Secret Heir based on real life experiences or purely all imagination?  

Purely imagination.  Well, no.  Actually, there is a scene where my heroine takes a city bus; I’ve done that.  Ha!

What are some of your favorite words and why?  

Possibilities.  Why?  Because of all the possibilities!

You get a brilliant phrase/idea/thought at an inappropriate time (while driving, drifting off to sleep/in the shower). What do you do?  

My brilliant mind (ha) tells me that I’ll remember that brilliant notion.  Of course, I promptly forget the details.  If I’m really feeling ambitious, I’ll stop what I’m doing and write it down, or (hard to believe I’ll admit this) I will phone myself and leave a voice mail message.

What do you do when you are not writing?  

Think about writing.  I also have a full-time job outside of writing at a local non-profit working in the Finance department.  Very non-creative. That ought to mean my mind is balanced between writing and that, shouldn’t it?  Hmmm….

Where is one place you want to visit that you haven't been before?  

New York City!

Is there a certain type of scene that's harder for you to write than others? Love? Action? Racy?  

Love scenes can be a challenge, but not always.  Emotionally wrenching scenes can be exhausting, but not always.  The scenes that are the hardest to write are those where nothing important is going on.  Thus, the difficulty, and in all likelihood it means I need to go back and rework something so something important is happening.  When I’m at a dead end for some reason, it always means I’ve gone off course when I shouldn’t have.

How important are names to you in your books? Do you choose the names based on liking the way it sounds or the meaning?  

Names are important to me, and sometimes you end up with a character’s name you never intended.  A secondary character, for instance, who later unexpectedly becomes a hero or heroine.  Names help me form that vision in my head of my character.  Sometimes I go hunting for that ‘perfect’ name, flipping through my various name resources.  Sometimes it just hits me.  I wake up one morning, and think, “Aha!  Well, of course, that’s the name.”

What question do you wish that someone would ask about your book, but nobody has? Write it out here, then answer it.  

Frankly, I’m always surprised when someone has a question about one of my books.  My mind is a blank on this one!

What are you working on now? What is your next project?  

Presently, I’m working on a synopsis for my next Men of the Double-C Ranch-related stories. That, and trying to get my Christmas gifts wrapped on time…