Hello, My Name is Kat by E. Knight

Dear Reader,

Many of you have heard of my sister, Jane Grey—but you probably know her best as The Nine Days Queen. For that is just as long as her reign as Queen of England lasted, before she was taken down by a Tudor (oh, but the blood of the Tudors runs thick, strong and vehemently through their blood.) 

You may not have even known that she had a sister, let alone two. Poor little Mary… Her life was filled with hardship too, but I digress, and more importantly, poor Jane. I’m not sure she truly expected to ever be queen. I didn’t expect it. She reminded me much of the queens of old. In her regal bearing, I glimpsed a touch of my great-uncle, Henry VIII. She appeared relaxed and comfortable in her new state. After all, she had been born and bred as a royal princess, and I do believe my father had had this plan in mind from the moment the midwife had slapped her newborn bottom.

Nevertheless, this story is a lot less about Jane, than it is about me. My truth. Huh. I never thought to have my story told, for certainly throughout history—if you don’t count the Elizabethan poem written about mine and Ned’s tragic tale (buried in obscurity)—I’ve been mostly ignored. Well, not anymore!

I have served three queens in my life. One was my sister, one was my savior, and one my bitterest enemy.

I’ve seen a queen fall from power in just nine days. I’ve watched a queen die of heartbreak and neglect. And I’ve threatened a queen with my very existence, for I, too, am of royal blood.

And yet, for most of my life, I’ve done the bidding of queens. I’ve nodded my head, curtsied, acquiesced, given up my hopes and dreams. Mourned the death of loved ones taken before their time. Even in the face of brutal loss, I have listened and obeyed, understanding that, in all things, the sovereign always wins.

But I tell you, the queen has not won this time. Even now, at the hour of my death, I have prevailed over her. There are those who see me as her victim, but I have triumphed where others failed. You see, my love has conquered the commands of a royal crown.

For love, I carved for myself a little peace and happiness from this life, and what love I have known makes it all worthwhile. It was mine. It is still mine, this love. Love that I would never have known if I were a queen. Love that the queen herself has never known and never will.

So I shall rejoice, knowing that I would do it all once more. Knowing that there are some things in this life that we cannot let another control. We cannot bend to another’s will at the risk of losing who we are. We must defy them. Keep sacred the matters of our hearts, our very souls. And that is why not even death will take this victory from me. My love, my private triumph, will live on even when I am gone.

For I am Lady Katherine Grey, and this is my story...

You see, this is a love story. Tragic and exhilarating. Brutal and harsh. Sad as it is full of joy. I’d do it all over again. Every time. Even knowing the outcome. Because to have loved is better than never having known love at all.

Peace and love be with you always,
Kat

About the Author

E. Knight is a member of the Historical Novel Society, Romance Writers of America and several RWA affiliate writing chapters: Hearts Through History, Celtic Hearts, Maryland Romance Writers and Washington Romance Writers. Growing up playing in castle ruins and traipsing the halls of Versailles when visiting her grandparents during the summer, instilled in a love of history and royals at an early age. Feeding her love of history, she created the popular historical blog, History Undressed (www.historyundressed.com). Under the pseudonym Eliza Knight, she is a bestselling, award-winning, multi-published author of historical and erotic romance.

For more information please visit E. Knight’s website and blog. You can also find her on Facebook, Twitter, and Goodreads.

About her book

I have served three queens in my life. One was my sister, one was my savior, and one my bitterest enemy.

Knowing she was seen as a threat to the Queen she served, Lady Katherine Grey, legitimate heir to the throne, longs only for the comfort of a loving marriage and a quiet life far from the intrigue of the Tudor court. After seeing her sister become the pawn of their parents and others seeking royal power and then lose their lives for it, she is determined to avoid the vicious struggles over power and religion that dominate Queen Elizabeth’s court. Until she finds love—then Kat is willing to risk it all, even life in prison.

Q & A with author Merryn Allingham

What inspired you to take a leap into becoming an author?

I always had an impulse to write but working full time and with a family to care for, there was very little opportunity. I contented myself with writing short stories and though I had some small success, I don’t think I was terribly good at them. The novel was the genre I enjoyed teaching the most and I knew it would be the one I’d enjoy writing. So when my workload decreased and my children left the nest, I started on the journey. 

Do you think your experience growing up inspired your literary voice?

I grew up loving books. I was an only child and my father was a soldier, so we moved from place to place and every time we moved I had to make new friends. It’s not surprising then that my constant companion was a book. As for ‘voice’, I think everyone has their own, though it’s likely to be influenced by the books you read. And since my taste in reading is very wide, mine must reveal a veritable jumble of influences. Finding your voice is probably the most important thing you can do as a writer. 

Give us insight into your book. What is it about your genre that draws you in?

Grace, the modern day heroine of The Crystal Cage, is at a crossroads in her life. Despite a smart home, a seemingly caring partner and a job that keeps her busy, she’s dissatisfied.The house isn’t hers, she finds her work tedious and she’s beginning to feel uncomfortably controlled by her partner. When Nick Heysham catapults into her life with a request that she help him complete a contract, she is ready to listen. Nick has been commissioned to find plans drawn for the Great Exhibition by Lucas Royde, the most influential of Victorian architects. At the same time, a trifling and apparently unrelated job – the haunting of a former school room - lands in her lap. By the end of the novel, Grace has uncovered connections that have stayed hidden for a century and a half. She has discovered, too, that a past tragedy has uncomfortable echoes for her own life. 

I love the idea that the past never leaves us, that there is only a thin veil separating today from the centuries that have gone before. And I love a good mystery, particularly when it’s spiced with romance. What Grace uncovers is sad and sometimes painful, but it fills her with the determination to live a life that for all her bravery, her Victorian counterpart was denied.

How much research did you have to do?

A fair amount. The 19th century is the period I’m most at home with so in a sense I had what you might call a ‘nest’, but as soon as you start writing, you find out all the things you don’t know. I read a large number of books on The Great Exhibition and visited the Victoria and Albert Museum to discover the material they held - an absolute mountain, as it turned out – and to understand the process of researching there. But no matter how much you read, how much you dig around, there will always be things you can’t discover. For instance, I could find only one photograph of a Victorian architect’s office and I never discovered how the Great Russell Street practice would have gone about providing refreshments for its workers in 1851! When you hit this kind of blank, you simply have to go with your own hunch. Most of the research, of course, doesn’t find its way into the book. If it did, it would weigh the story down.

If you could collaborate with any author living or not, who would you choose and why?

A brilliant question and a difficult one. But if I had to choose just one author, it would be Kate Atkinson. She’s not particularly known for historical fiction, though I’m sure she could be if she chose. Her writing is so stylish and so varied - from winning the Whitbread prize for her first novel, Behind the Scenes at the Museum, to writing a gripping series of Jackson Brodie detective novels. She is a literary novelist who writes commercially, that’s the best way I can put it. And that’s what I’d love to be. She never seems content with one winning formula but continues to experiment and does so very successfully. Having said that she doesn’t write historical fiction, her latest book, Life after Life, plays with the idea of reincarnation and with the unfolding of events in the first half of the twentieth century. As I said, varied!

How do you think you have evolved creatively?

I taught English Literature for years which has proved both a blessing and a barrier. You can say clever things about language and structure in a novel but putting pen to paper for the first time is daunting, when for years you’ve taught only the very best in writing. I got over it by writing in a genre that I knew and loved – Regency romance – and was fortunate to have my first book accepted by Harlequin. I wrote five more Regencies but found myself wanting to experiment on a larger canvas and add mystery to the history and the romance. The Crystal Cage is the first book in this new genre. I’ve followed it by writing a trilogy set in the 1930s/40s and moving between India and wartime England.

What are you currently reading?

I’ve just read my way through ten of Mary Stewart’s romantic suspense novels. Since I changed direction in my writing, I thought it a good idea to re-read the doyenne of the genre and I’ve thoroughly enjoyed it. In between her novels, I tackled Crime and Punishment – yes, really! The book group I belong to is reading crime from around the world and Dostoevsky was our contribution from Russia. And I still have an inviting pile of books by my bedside – Before I Go to Sleep is at the top. 

Do you have an advice for upcoming writers?

Be disciplined and write as regularly as you can, even if it’s only for a short time. 
Be patient. It often takes a long time to get anywhere but if you persevere, you’ll make it.
And don’t let rejections destroy your ambition. Every great writer has suffered rejection but still carried on. They believed in themselves and so must you! 

About the Author

My father was a soldier and most of my childhood was spent moving from place to place, school to school, including several years living in Egypt and Germany. I loved some of the schools I attended, but hated others, so it wasn’t too surprising that I left half way through the sixth form with ‘A’ Levels unfinished.

I became a secretary, as many girls did at the time, only to realise that the role of handmaiden wasn’t for me. Escape beckoned when I landed a job with an airline. I was determined to see as much of the world as possible, and working as cabin crew I met a good many interesting people and enjoyed some great experiences – riding in the foothills of the Andes, walking by the shores of Lake Victoria, flying pilgrims from Kandahar to Mecca to mention just a few.

I still love to travel and visit new places, especially those with an interesting history, but the arrival of marriage and children meant a more settled existence on the south coast of England, where I’ve lived ever since. It also gave me the opportunity to go back to ‘school’ and eventually gain a PhD from the University of Sussex. For many years I taught university literature and loved every minute of it. What could be better than spending my life reading and talking about books? Well, perhaps writing them.

I’ve always had a desire to write but there never seemed time to do more than dabble with the occasional short story. And my day job ensured that I never lost the critical voice in my head telling me that I really shouldn’t bother. But gradually the voice started growing fainter and at the same time the idea that I might actually write a whole book began to take hold. My cats – two stunning cream and lilac shorthairs – gave their approval, since it meant my spending a good deal more time at home with them!

The 19th century is my special period of literature and I grew up reading Georgette Heyer, so when I finally found the courage to try writing for myself, the books had to be Regency romances. Over the last four years, writing as Isabelle Goddard, I’ve published six novels set in the Regency period.

Since then, I’ve moved on a few years to Victorian England, and I’ve changed genre too. The Crystal Cage is my first novel under the name of Merryn Allingham. The book is a mystery/romantic suspense and tells the story of a long-lost tragedy, and the way echoes from the past can powerfully influence the life of a modern day heroine. The next few Allingham books will see yet another move timewise. I’ve been writing a suspense trilogy set in India and wartime London during the 1930s and 1940s, and hope soon to have news of publication.

Whatever period, whatever genre, creating new worlds and sharing them with readers gives me huge pleasure and I can’t think of a better job.

Connect with Merryn Allingham on Facebook and Goodreads.

About her book

Appearances don’t always reveal the truth. Grace Latimer knows this better than most. Illusions of commitment and comfort have her trapped—until bohemian adventurer Nick Heysham charms his way into her world. Commissioned to recover a Great Exhibition architect’s missing designs, he persuades her to assist in his research. The mystery of the Crystal Palace seduces Grace, and once she discovers clues about a forbidden Victorian love affair, she’s lured into the deep secrets of the past…secrets that resemble her own.

As Grace and Nick dig into the elusive architect’s illicit, long-untold story, the ghosts of guilt and forbidden passion slip free. And history is bound to repeat itself, unless Grace finds the courage to break free and find a new definition of love…

Q & A with author Tom Kakonis

It’s been more than a decade since you’ve published your last novel. What was it like to get back in the game with TREASURE COAST?

I have to say it’s been exhilarating, maybe because it was so unexpected.  A year ago at about this time I went to my mailbox and discovered a package containing an autographed copy of THE HEIST by Janet Evanovich and her co-author, Lee Goldberg.  I’d never met Ms. Evanovich but Lee I remembered from a writers conference years ago when he was just getting his start in crime fiction.  We’d not stayed in touch, so I was naturally rather puzzled by the gift.  Tucked inside the book I found a letter from Lee reintroducing himself and explaining a new venture he and his partner were embarked upon.  That venture was Brash Books, a publishing company specializing in the revival of out-of-print crime novels, and since I had six such books, long since out of print, he invited me to participate.  With nothing to lose, I readily agreed.  Once the project was underway I mentioned to Lee that I had a manuscript languishing in a drawer, and he invited me to send it along.  Happily for me, he liked it, and thusly was TREASURE COAST launched.  It’s been available now in e-book and trade paperback formats since early September, and so far it’s been quite a ride.

It has been said that you’re a “master of the low-life novel.” What draws you to writing your darker characters?

Over the course of my life I’ve been thrust into environments almost exclusively male: the army (of my day), swinging a sledge on a railroad section crew, and, perhaps most useful of all for fiction writing, teaching inmates at Stateville Prison in Joliet, Illinois.  In all these settings I was exposed to the uninventable vernacular of clusters of men absent the civilizing influence of females, so I had a share of the dialogue for such characters handed to me like a gift.  But with the villains (as, I hope, with all the other types of characters) what I wanted to do was avoid the stereotypes of villainy by investing them with qualities I can only call human.  In TREASURE COAST, for example, Junior Biggs, the most despicable of villains, still plans to use part of the money he hopes to come by with their big score to buy a proper headstone for his mother’s grave.  The introduction of such seeming incongruities can add what I like to believe is a certain comedic element to a narrative, as when the character Hector Pasadena, an equally unregenerate villain in TREASURE COAST, submits almost meekly to the instructions of the kidnap victim herself and joins without complaint in the group’s house cleaning and cooking chores.  Juxtaposing such comic scenes with those of brutal violence helps me create an atmosphere of ambiguity I’m striving for in both narrative and characterization.

Of all the characters you’ve created, which is your favorite?

If I exclude the villains, many of whom I’ve certainly enjoyed creating, I’d have to say my favorite is the protagonist of the three “Waverly novels,” Timothy Waverly.  He appeals to me because of the qualities that comprise his character: intelligence, focus, loyalty, shrewdness—a cynic with a streak of romanticism, a stoic fatalist with an abundance of courage.  For me it’s easy to like, if not to identify with, such a character, maybe because he’s the man I wish I were.

Describe your writing space and how it inspires you.

If by “space” is meant the room where all the work gets done, there’s not a whole lot to describe and even less to say about it in the way of inspiration.  It’s small, cramped, untidy, cluttered with all the paraphernalia of a writing enterprise.  There’s a brace of windows along one wall that offer me glimpses into the human comedy of the outside world; inside, it looks like a mess, but it’s my mess and I wouldn’t have it any other way.  Seven novels got penned on the battered desk that dominates the room, and I’ve got a sentimental attachment to the place.

How much of you or your experience is in your book? (Are any characters in your book based on people you know? Are any of the situations in your novel based on real events?)

The opening scene in TREASURE COAST, the central character Jim Merriman engaged in a deathwatch over a dying sister, was taken almost intact from a similar personal experience.  Many years ago my older sister was diagnosed with a particularly virulent strain of cancer.  Miraculously, she survived almost 20 years till finally the malady caught up with her.  I spent the last few days of her life in a bumbling effort to comfort her, and during that difficult time I must have absorbed some of the peculiarly repellent ambience of a hospital, for a great deal of it emerges in that first chapter.  The difference between the fictional and actual events is that in real life there was no hapless nephew in a world of trouble or a tempting seductress down the hall.  Those two and all the other characters in TREASURE COAST are purely products of my overheated imagination.  Same with the events in the novel, the kidnapping plot and all the sub-plots, though I might add that all of the Palm Beach Gardens venues cited and described are faithful to the book’s time setting.

At this point in your writing career, what has been your most memorable moment as an author? 

My most memorable moment, as I suspect is the case with many writers, was the day I learned my first novel, MICHIGAN ROLL, had been accepted for publication.  I was 57 years old and had been trying for decades to break into print with a work of fiction.  When it finally happened I’m not sure if I felt joy or vindication of all my efforts or simply an immense relief.  All I know for certain is it was one of the highlights of my life.

If TREASURE COAST were to be turned into a movie, who would you have in the starring roles?

Daniel Day-Lewis is, in my opinion, the finest and most versatile actor of his generation.  I’m not sure the Jim Merriman character would be challenging enough for him, but it would be an honor to have him portray it.  Other male actors whose work I admire include Edward Norton and Viggo Mortensen, either of whom would do justice to the role.  For the Billie Swett character I can think of no one better suited for that part than Sandra Bullock.

What was the best writing advice you’ve ever received?

My mentor at the U. of Iowa Writers Workshop was the novelist Vance Bourjaily.  I once timidly submitted a short story to him, and to my intense gratification he seemed to like it very much.  He encouraged me to submit it to some of the literary magazines of that era, which I did but with no success.  When I expressed my frustration and dismay at not instantly breaking into print, his response was neither new nor particularly original: persistence, he maintained, was what finally carried the day.  I believe my experience bears out the simple truth of this advice.

Who among modern writers in the genre of crime fiction and suspense do you most admire and why?

I’ve always liked the work of Ross Thomas and George Higgins, both sadly deceased.  But it was Dutch Leonard, also abruptly departed, whose fast-paced novels, both crime and western, and memorable characters first captured my interest in the crime fiction genre.  His plotting, in particular, defines that over-used term “page turner.” And while she is hardly limited to that genre herself, I have to mention here the work of Flannery O’Connor, who blended comedy and violence in an unforgettable mix, as in her peerless short story, “A Good Man Is Hard To Find.” 


What is next for you?

Next year Brash Books is bringing out the last two of my out of print novels, FLAWLESS and BLIND SPOT. What will follow for me depends on the reception of all six books and, of course, TREASURE COAST.  If there’s an audience out there for these kinds of stories and characters, I’d be tempted to pick up my pen one more time and see what flows.

About the book

Treasure Coast is one of the first releases from the new publishing company, Brash Books. Bestselling authors Lee Goldberg and Joel Goldman created Brash to publish “the best crime novels in existence.”

 

A compulsive gambler goes to his sister's funeral on Florida's Treasure Coast and gets saddled with her loser-son, who is deep in debt to a vicious loan shark who sends a pair of sociopathic thugs to collect on the loan. But things go horribly awry...and soon the gambler finds himself in the center of an outrageous kidnapping plot involving a conman selling mail-order tombstones, a psychic who channels the dead and the erotically super-charged wife of a wealthy businessman. As if that wasn't bad enough, a killer hurricane is looming...

 It's "Get Shorty" meets "No Country for Old Men" on a sunny Florida coast teeming with conmen and killers, the vapid and the vain, and where violent death is just a heartbeat away


Excerpt from

TREASURE COAST

by

Tom Kakonis


LIKE MOST MEN CLOSING IN ON THE BENCHMARK

forty, Jim Merriman made far more promises—to others

mainly, a dwindling few yet to himself—than he knew, heart of

hearts, he ever intended to keep. It was a habit by now so deeply

entrenched, so much a part of him, that he wore it like a second

skin: Generate an earnest pledge today; effortlessly shuck

it off tomorrow. Mostly it was harmless, this habitual shortfall

between oath and execution, deed and good intention. A commonplace

human failing, to his thinking, small and forgivable.


A way of getting by in this sorry world.

But the vow exacted from him by a dying sister—that now

was giving him serious pause. Better make that acute discomfort.

(If he were going to be honest with himself, for a switch,

figuring—trying to figure—how to squirrel out of this one. Very

unsettling.)


From across the continent, he’d been summoned to her bed

of pain, where eventually, floating up out of a narcotized fog, she

found the strength to peel back crusted eyelids, fix him with a

fluttery gaze, and in a voice fainter than a whisper, feebler than a

gasp, murmur, “Jim? That you?”


“None other,” he affirmed, putting some of that fraudulent

deathwatch heartiness into it.

“You came.”

“Said I would.”

“Been here long?”

 “Not long,” he lied. In fact he’d been sitting there for the better

part of the afternoon, studying her sleep, marveling at the

relentless progress of this formidable malady, its curious manifestations.

Her face, in sleep, was sunken, sallow with a greenish

tint, the color of mold-infested cheese. The sockets of the eyes,

hollow and dark, looked to be rimmed with a dusting of soot.

A limp hand, its flesh withered and veined as a dry leaf, seemed

to sprout from a forearm grotesquely swollen to Popeye proportions

and out of which coiled an IV vine that leaked some colorless,

powerless anodyne into her blood. Now that hand moved in

an effort at a sweeping gesture. “No, here, I mean. Florida.”

“I got in this morning. Leon picked me up at the airport.”


“Leon?”

“Yes.”

“Where is he?”

“Your place. I told him to go back and crash. He looked

pretty wasted.”

“It’s been hard for him,” she said.

“He’ll be OK.”

“You think so?”

“Sure.”

“I wonder.”

“How about you?” he asked. “They treating you right here?”

“They do what they can.”


“Well, you need anything, you just let me know,” he said,

more confidently than he felt—as if he had a direct hotline to the

nerve center of the AMA and could make the quacks jump at his

barked command. Hotline to nowhere was what he had.

She nodded dismally, said nothing.


To put something into the oppressive silence, he launched

a wandering monologue, picking his topics cautiously, from the

security of the distant past mostly, skirting that phantom third

presence in the room, Lord Death, with his constrictive time horizons.

“Remember that time…” he’d begin a tale, lifted from their

shared heartland childhood, and through the malleable prism of

inventive memory, he’d mutate some perfectly ordinary incident

into an adventure antic. Outrageously the tales grew in the telling,

spinning the sunny Leave It to Beaver mythology of a tight,

joyous, loving family life. Pure fabrication of course. All of it. The

sorry truth was that, apart from the accident of birth, they’d never

had much in common, never been particularly close. Nevertheless

he wore on, mouth running tirelessly, until at last the grab bag

of hilarious anecdotes was depleted, the memory-lane tour

exhausted, and again a desolate silence settled over the room.

Thee somber interval lengthened. After a while she filled it.


“Jim?”

“Yeah?”

Eyes tearing over, she said, not as a question, “There’s not

much time left, is there.”

“Oh, I don’t know about that. Nurse out there says you’re

holding your own.”

“Will you do something for me?” she asked, ignoring the blatant

falsehood.

“Whatever I can.”

“It’s Leon. He’s all alone now. So helpless. Like a child. Will

you watch out for him?”

“Sure, I’ll give the kid a hand” is what he told her. Another in

that legion of empty pledges. Slippery, purposely vague. The kind

of thing you search for to say. Should have been enough.

Except she couldn’t leave it alone. “Promise?”

“Hey, you can count on me,” he said lightly, conscious of the

sickly smile tacked on his face.

“Need to hear you say it, Jim.”

“Uh, what’s that?” he asked, stalling, averting his eyes from

that pleading, miseried gaze, unblinking now, insistent.

“You promise.”


So, cornered, he heard his voice utter that one too, the “p”

word, figuring, Why not? What’s the damage? Whatever it took

to help her exit gracefully, or as graceful as anyone riddled by

outlaw cells, wildly multiplying even as they spoke, could ever

exit. It was only words. Nothing lost, no one really hurt.


His first mistake. First of many.

Ten minutes later he stood outside the entrance to the Palm

Beach Gardens Medical Center, idly puffing a cigarette. A nurse,

briskly efficient, professionally cheery, her smile as starched as

her uniform, had appeared only a moment after the vow-taking

ceremony (nice timing, those mercy angels) and shooed him out

of the room, chirping something about “Time for meds” and

whatever other ghoulish things they did to keep the croakee

wheezing and earn their pay. OK by him. Welcome break from

the white world of the hospital and its clash of pungent perfumes,

its soiled bedsheets, lemony cleansing solutions, acrid antiseptics,

hothouse flowers, rank festering flesh.


The slanting rays of the sun, still fierce on an immense slate

of bleached sky, steamed the hospital lawn, glued the parking-lot

tar. The dank air resonated with the atonal hum of insect energy.

Symphony of famished worms, he thought ruefully, gathering for

the feast waiting just on the other side of this door.


A sudden mournful ache, hollow and unfocused, overtook

him. But whom did he really mourn? An expiring sister in there,

seldom seen, scarcely known, barely recognizable anymore, soon to

be floating out of herself? No, it was himself he sorrowed for, himself,

a couple of weeks short of a milestone birthday, half a lifetime

squandered, pissed away, and dying just as surely as she, only daily,

increment by increment, puff by puff . Conducting his own requiem

in advance, dirge supplied courtesy of an invisible swarm of bugs.

What they’re doing, these crusading nicotine zealots, by banishing

us from their haloed presence, he further reflected, dourly

now, is creating a breed of solitary, morbid philosophers. Seekers of

occult mystery in wisps of smoke.


His cigarette had grown a tail of ash. He ground it under a

heel, defiantly lit another. And just as he put a flame to it, a most

handsome woman clad in a satiny blouse and designer jeans came

through the door, paused, the shed a pack of Capris from a Gucci

bag slung over her shoulder, and shook one loose. The flame in

his hand still flickered, and so in that wordless bond that links

a renegade fraternity, he offered it to her. She favored him with

a small smile and ever so lightly touched his hand in a steadying

gesture. Fetching gesture, fetching smile. Up close this way,

he could see she wasn’t young but not yet old either, a ripened

thirtyish somewhere; by his best estimate, forty tops. Around a

plume of smoke, she said, “Another second-class citizen?”


“Afraid so.”

“They’re turning us into a bunch of sneaks.”

“Or worse yet, wimps. Where’s Bogie when we need him?”

“Who?” she asked.

“Humphrey Bogart. Remember him? Tough as nails, and he

always had a weed stuck in his face.”

“How about Bette Davis? Nobody crossed her.”

“There you are.”


One thing you had to give your habit—it was an instant icebreaker.

Something to be said for that, particularly when your

commiserator comes equipped with a dizzying cascade of platinum

curls; good bone geometry; skin lacquered to a high sheen;

a generous crimson-glossed mouth; eyes a cool blue but with a

glint of worldly mischief in them; and pliant, slightly plumpish

curves under a fashion-statement outfit. Like this one did. All

of which he assimilated in a sly sidelong glance, as he no longer

pondered his own mortality but rather the enduring quality of

lust, how it occasionally nods but never really sleeps.

“You visiting somebody?” she asked him, turning the talk

elsewhere, extending it. Promising signal.


“A sister,” Jim said.

“Is it serious?”

“It’s cancer.”

“Bad?”

 “Terminal variety.”

“That’s a shame.”


He shrugged. “Yeah, well, cancer always wins.”

She took a long, meditative pull on her Capri. the third finger

of the cigarette-bearing hand, he noticed, was bedecked with

a gaudy rock the size of a boulder. Generally—though not absolutely,

in his experience—a bad signal. In a stagy, breathy voice,

she said, “I’m real sorry.”


“No need to be,” he said with mock solemnity. “Doctors

determined it wasn’t your fault.”


For a sliver of an instant, she looked perplexed. Then, as she

got it, her smile widened, displaying an abundance of teeth, dazzling

as neon and much too perfect to be anything but orthodontist

enhanced. Jim gave her back his player smile, oblique,

distant, hint of evasiveness in it. Dueling grins.


Hers departed first, displaced by an earnest expression. “Is

she centered?”

“Centered?”

“Centered,” she repeated, as though the echo explained itself.

“Afraid I don’t follow,” he said, baffled by the corkscrew twist

in the conversation and wondering if maybe this time the joke

wasn’t on him.


“Like, in tune with her spiritual center.”

Evidently no joke. “Well,” he said, “we’ve never been what

you’d call God-fearing people. She taught math, some community

college down here. Numbers are—were—her religion.”

“Got nothing to do with religion,” she declared, a little impatiently.

“No? What then?”


“Energy. Strictly energy. See, I read this book by this Indian

guy—from India, I mean, not your American kind—where he

shows how we’re all a part of this one big spirit. Only he calls

it energy. Cosmic energy. And it’s, like, steady. Never changes,

never dies. What we call ‘dying’ is just trading energies.”


 “That’s a comfort.”

“And what you got to do,” she plowed on, voice elevating

urgently, “when your body’s ready to pass, is zero in on it, your

place in this energy field. That’s what centering is. Sort of like

finding your way home.”


“Interesting theory,” Jim allowed, thinking they all have to

come with some wart, physical or otherwise. Even the best of

them, like this dumpling of sex here, with the loopy-energy hair

up her sweet apple ass. Too bad. Terrible waste.

“Changed my life, I can tell you.”

“Bet it did at that.”


“What I do now,” she said, “is try and help people get in

touch with it. Their energy center. That’s why I’m here. My best

girlfriend’s mother—she’s about to pass too.”


Sounded to him like some spiritual fart cutting, with her

being the therapeutic Gas-X. But what he said was, “Sounds sort

of like volunteer work.”


“Guess you could call it that. See, growing up, I wanted to be

a nurse. Never did make it, so this is the next best thing.”


“You? A nurse?”

“I always wanted to help people.”

Yeah, right. “I see,” he said cautiously, radar suddenly alert

for a scam coming on.

“So you think she’s centered yet?”

“Who’s that?”

“Who we’re talking about here…your sis.”

“You got me.”

“If you want, I could speak to her.”


Finally the pitch. Everybody peddling something. Pretty

prosperous clip too, by the looks of that stone weighting her

finger. Unless, of course, it was fake. “Appreciate the offer,” Jim

said, “but I don’t think she’d be very receptive.” Figured that’d

be the end of it. Any good fleecer knows when it’s time to

book.


Figured wrong. “OK,” she said breezily and, in yet another

of those bootleg turns, added, “You’re not from around here, are

you?”

“How could you tell?”

“Wild guess.”

“You guessed right.”

“Whereabouts then?”

“Nevada.”

“Vegas?”

“Reno.”

“Reno, Vegas—they’re like Florida,” she said. “Nobody’s

from there.”

“Right again.”

“So? Originally where?”

“South Dakota.”

“No kidding!” she exclaimed. “Me too. I’m from Bismark.”

“That’s in North Dakota.”

“Same thing.”

“I expect maybe it is. There’s not all that many of us, either

province.”


“Hey, don’t I know? That’s why we got to stick together. What

I always say is, ‘When you’re from Dakota, you got to be good.’ ”

Jim regarded her narrowly. A corner of her wide mouth was

lifted once again in a suggestion of a smile, artful, provocative,

faintly amused. The naughty mischief he’d seen earlier, thought

he’d seen, all but given up on during the energy drone, shimmered

behind her eyes. “By that,” he said, choosing his words

carefully (for if four decades had taught him any lesson at all, it

was that a man never knew when he was going to get lucky), “do

you mean ‘nice good’? Or oh, say, ‘skillful good,’ ‘accomplished’?”

Before she could reply, a sleek silver Porsche swung into the

lot and lurched to an idling stop twenty or so yards from where

they stood. A head—male, jowly, squinty eyed, round, and hairless

as a billiard ball—poked out of the driver’s-side window like

a wary turtle emerging from its shell. She gave it a high-handed

wave, a big theatrical welcoming grin, calling, “Hi, honey. Be

right with you.” To Jim she stage-whispered, “Thee big doolie

arrives.”


“Doolie?”

“The worse half.”

“Oh.”


She lowered the waving hand, abruptly thrust it at him.

“Been real nice talking to you.”

Jim took the offered hand. Grip was surprisingly firm; the

shake snappy, businesslike. “Same here,” he said.

“My name’s Billie. Billie Swett.”

“Swett?”

“You got it. Like in the perspiration, only with an ‘e’ and two

‘t’s. Cute, huh?”

“Well, everybody’s got to be named something.”

“And you are?”

“Jim Merriman.”

“Merriman,” she repeated, the tantalizing shimmer not quite

gone out of her eyes. “You don’t look so merry to me.”

“Inside I’m laughing.”

“Listen, you change your mind—about your sister, I mean—

I’ll be at the hospital here. Next couple days anyway. Ask around.

They know me in there.”

“I’ll be watching.”

The Porsche’s horn bleated. The turtle head squawked,

“C’mon, honey. We’re runnin’ late.”

“I’m coming, hon,” she called back sweetly, but under her

breath, softly, though not so soft as to be inaudible, she muttered,

“Asshole.”


Across lawn and lot, she sauntered, loose easy stride, studied

sway in the shapely hips. Into the Porsche she climbed, pecked

the turtle on the cheek, checked her reflection in the rearview,

patted and primped the cotton candy ringlets. And with that the

two honeys were gone, sped away, leaving Jim to speculate now

on the quirky nature of luck, which, he suspected, like gold, was where you found it.

Excerpted from the book TREASURE COAST by Tom Kakonis.  Copyright © 2014 by Tom Kakonis. Reprinted with permission of Brash Books.  All rights reserved




Q&A with author Kira Peikoff

 NO TIME TO DIE focuses on a 20 year-old woman who stopped aging at 14 years-old – where did you get this idea?

A few years back, I saw a documentary on Discovery Health about a young woman who had inexplicably stopped aging. She was almost 20 years old but had stayed frozen as a toddler her whole life, baffling doctors and scientists alike. The case caught my attention because I've always been interested in medical mysteries, and like many people, I'm also fixated on the promise of eternal youth. Yet staying young forever, as welcome as it might be, could also be a curse. I decided to explore it further in a novel, but I didn't want my protagonist stuck as a toddler without much mental or emotional capacity.  So I decided to trap her in the worst possible page for maximum drama and frustration. What could be worse than 14?

How did you research aging for NO TIME TO DIE?

I read some textbooks about both the physiology, genetics, and social aspects of ending aging. I developed a professional correspondence with a leading researcher who answered all my questions pertaining to my book's specific scenario in great detail. We went back and forth many times on the hypothetical scenario I created with his help, so it's as credible as possible while still being fiction. 

What led you to write in the thriller genre?

I feel into it by accident. When I started writing fiction, I gravitated toward stories with high stakes, increasing tension, cliffhanger chapters, and a fast pace. I didn't actually intend to write in any genre, but after I wrote my first book, I realized I'd written a thriller.

How was the book title chosen?

My wonderful late mentor, Michael Palmer, suggested the title to me when I told him I was stuck on a title. (Titles are impossible.) Everyone at the publishing house immediately liked it, so we went with it. It's extra meaningful because Michael died shortly after I turned in the final manuscript. It was one of the last novels he read.

One of the main reasons scientists are busy researching defying aging is because: they have a back story. Many have a loved one they wish could have lived longer  – it’s a very human side to all the scientific lab work involved – was your writing process different when explaining the scientific lab work vs. the human and emotional side of your characters?

Yes, writing about the lab work was more of an intellectual challenge, because I had to figure out how to incorporate real-life details with fictional ones. It was like a puzzle. Writing about the human side came more naturally. I tried to tap into how I might feel in their place, and why I might do what they were doing, so I could access that yearning and vulnerability.

Do you have any advice for emerging writers trying to turn out their first book?

Be patient and keep writing a little bit every day. Set a goal of your minimum word count and don't leave the desk until you hit it. I aim for 800-1000 words a day. Outlining is very helpful so you know where you're headed and can write with purpose. If you get stuck, join a writing workshop and/or hire a writing coach or freelance editor. I have done all of the above. 

What do you want readers to take away from NO TIME TO DIE?

First and foremost, that they will be transported on a thrilling and satisfying journey with characters they've become invested in. Then: that they'll possibly think about their own positions on the controversial subjects the book raises, and finally that they will be shocked by the big twist ending.

About the Author

Kira is a writer based in New York City. She graduated with high honors from New York University in 2007 with a degree in journalism, after four years of various reporting internships: covering street crime for The Daily News, writing about Capitol Hill for The Orange County Register in Washington, D.C., reporting on business and technology for Newsday, and researching feature stories for New York magazine. After completing her first book, Living Proof, Peikoff worked for several years in the editorial departments at two New York publishing houses, which gave her an invaluable inside look at the publishing process and the rapidly changing industry. Peikoff is working on her third thriller, freelancing for a variety of major media outlets, and attending Columbia University's Master of Science program in Bioethics.

About her book

Someone is out for blood—Zoe Kincaid’s blood. She’s a 20-year-old trapped in the body of a 14-year-old girl and her DNA could hold the secret of immortality. Could it be the Columbia University researchers who see her as the key to fame and tenure? The shadowy figure, known only as Galileo, who is kidnapping the world’s best researchers? The Justice Department head who seems a little too intent on getting her alone? Or the maniac who just fed a leading scientist to his chimpanzees?

Zoe knows that unlocking the secrets of genome could save her beloved grandfather, a retired physician and former Olympian who grows frailer by the day. Can she trust the rogue physician whose secret lair hides discoveries that might just save her grandfather? Heart-pounding twists just keep coming in Kira Peikoff’s stunning biomedical thriller.

Science has barely begun to unlock the secrets written in our DNA. Researchers are relentlessly hunting for the answers to chronic diseases, cancer, rare disorders and the biggest mystery of them all—aging—but at what cost? Bioethicist Peikoff asks the most troubling scientific question of our time in this taut thriller: when does medicine cross the line?

Q & A with author Gina Holmes

Please welcome, novelist, Gina Holmes.  Gina is the founder of popular literary site, novelrocket.com. She is a two-time Christy and ECPA Book of the Year finalist and winner of the INSPY, Inspirational Reader’s Choice, and Carol Award. Her books regularly appear on Christian bestseller lists.

Gina, tell us a little bit about your newest release, Driftwood Tides.

Driftwood Tides tells the story of an aging, alcoholic driftwood artist turned beach bum, Holton Creary, and young Libby Slater. Libby grew up with an absent father and a loving but cold, socialite mother. Leading up to her wedding, Libby and her groom-to-be go through genetic testing and she learns her blood type doesn’t match either of her parents. She confronts her mother and is reluctantly told that she’s adopted. She goes searching for her mother, Adele, only to find her husband, Holton Creary lying face down on the carpet of his Nags Head beach shack.

She lies about her real identity until she is finally found out. Holton does not welcome the news. He never knew the wife he had given saint status too had given up a daughter for adoption. Together the two search to find the truth about Adele, Libby’s father and themselves. 

What do you hope readers will take away from this book?

At its heart, Driftwood Tides is really about discovering who we are, whose we are, where we belong and the need to accept and bestow forgiveness.

Why did you set the novel in Nags Head?

Oh, how I love that place! I’m not sure there’s a more peaceful setting in all the world. And the further out I get from civilization, the happier I am. I love the sand dunes, the untouched nature, the quaint towns. Just everything! (Well, except sand in my bathing suit maybe J)

You seem to have a recurring theme in your novels about absent fathers, if it’s not too personal, why do you think that is?

It is too personal, but I don’t mind answering (wink!) When I was 6 years old, I was packed up by my stepfather and driven to my father’s house. Overnight I had a new Mom, new sisters and brother, house and life. It was as traumatic an experience as I can imagine. There were few explanations that made sense to me and I missed my other family desperately. I think ever since I’ve been trying to settle some pretty deep-seated questions. Writing books is wonderful for that.

The novel you’ve written that seems to be a fan-favorite is Crossing Oceans, do you ever see yourself writing a sequel?

I love that book too. Makes me cry just thinking about certain scenes. I would love to write a sequel, prequel or off shoot stories. I love those characters dearly. I’m under contract for three different novels, so I’m not sure when I’ll have the time, but I’d love to explore Craig’s story and of course, Bella’s. I miss Mama Peg very much!

You’ve said that your favorite novel you’ve written is Wings of Glass. Why is that your favorite?

Well, for storyline, I think Crossing Oceans is the strongest. I think my writing in Wings of Glass was my best, plus when I was very young I watched my mother in one abusive relationship after another, and then two of my sisters. I had been there too, despite thinking I was better than that. I know the mindset that keeps a woman (or man) in a relationship like that and I wanted to give insight to those who don’t understand. I’ve received enough letters to know I did what I set out to do.

You’re originally from NJ but write all your novels from the South, why do you set your novels down South if you’re from up North?

Ha, you found me out! Yes, I was born and raised in NJ. As much as I love my friends and family, I am definitely more suited for the slower pace of the South. I’ve lived in Southern VA for half of my life and I plan to spend the rest of my life here if I can help it. I try to write books from settings that make me happy. So I write where I want to be. (Although, I’ve got to say, NJ food is amazing and you’ve got to love a boisterous NJ laugh!)

What do you like most about being a writer? Least?

Most, I like being able to have a platform to share lessons I’ve learned in my life that I know others would benefit from. And more than that, I just love to tell a good story.

Least, would be the unpredictability of the business. Sometimes it seems so random and the lack of control makes me uncomfortable sometimes. (Which is probably right where God wants me!)

Do you have any advice for aspiring novelists?

My advice is pretty much always the same. 1. Write. So many people want to have written but don’t actually do the work. 2. Get to a writers conference because there’s so much  you don’t know, that you don’t even know you don’t know. If you don’t you’ll be spinning your wheels for years, wasting valuable time. 3. Run, don’t walk, to the nearest bookstore and buy yourself a copy of Self-Editing for Fiction Writers. Then apply it. (Best money I ever spent!) 4. Join a good critique group and get a nice thick skin, ‘cause you’re sure going to need it!

If you could go back to the pre-published writer you were, knowing what you do now, what advice would you give her?

Well, I wouldn’t have told myself how many novels I’d write that would never see the light of day, because I would have given up. I wouldn’t have told myself how little money there is actually to be made or how lonely writing can sometimes be. I wouldn’t have told myself that I’d still have a day job with 4 novels out in stores, including 3 bestselling novels… okay, but that wasn’t your question… I would tell myself to relax. Some of this, most of this is, is out of your hands, and that’s okay. It’s not going to be at all what you think it is, but it’s going to be so much more. You won’t get rich, but you will touch lives. At the end of the day, that’s going to be exactly what will fulfill you.

Where can readers find your books and more about you?

Thanks for asking. My books are in B&N, BooksaMillion, Amazon, Lifeway, Parable, Family Christian and hopefully a good number of independent bookstores. You can find me at Ginaholmes.com. Thanks so much for hosting me!

About Gina's book

He made himself an island until something unexpected washed ashore.

When Holton lost his wife, Adele, in a horrific accident, he shut himself off from the world, living a life of seclusion, making driftwood sculptures and drowning his pain in gin. Until twenty-three-year-old Libby knocks on his door, asking for a job and claiming to be a friend of his late wife. When he discovers Libby is actually Adele’s illegitimate daughter, given up for adoption without his knowledge, his life is turned upside down as he struggles to accept that the wife he’d considered a saint was not the woman he thought he knew.
Together Holton and Libby form an unlikely bond as the two struggle to learn the identity of Libby’s father and the truth about Adele, themselves, and each other

Paperback: 400 pages
Publisher: Tyndale House Publishers, Inc. (August 15, 2014)

Q & A with author Lori Foster

Can you tell us a little bit about your latest release, NO LIMITS?

This is Cannon’s story, a character that readers met in my last series, Love Undercover. From the second Cannon showed up on the page, I knew he’d get his own story. He’s that kind of guy, the guy who steps up and takes notice and gets a lot of notice in return.

In NO LIMITS, Cannon reunites with Yvette, another character from the previous series. They parted under strained circumstances, with Cannon just heading into professional MMA and Yvette young and traumatized from a horrific threat. Cannon saved her then, but he was noble because of her age and what she’d been through. Now she’s older, more independent, and he’s ready to make up for lost time.

Can you also fill us in on the prequel to the series, HARD KNOCKS?

HARD KNOCKS gives readers a peek into the MMA world and the fighters who will have novels in the Ultimate series. You get to see the inside of Cannon’s gym, the set-up and what the guys do for the neighborhood, as well as the close relationships they share. It’s a short romance featuring Gage and Harper, two fun, strong people with a few romantic quirks to work out. It’s short and sexy and gives readers a taste for how the novels will be more about fighters in a romance than about fighters fighting in the cage.

How has your UFC obsession influenced the writing of NO LIMITS?

Well, I’ve gotten into the idea of picking silly fight names for the heroes. And from the fight names, I’ve come up with some “inspired” reasons for them. It also makes it easier to justify the guy being totally ripped – although not all fighters are. I’ve learned in actual fights the physical appearance can be deceiving. It’s more about heart and talent, training and speed, than how a guy looks. But naturally any hero I write about will be blessed with a six-pack and boulder shoulders.

What was it like getting inside the mind of a mixed martial arts fighter?

I’ve interviewed a few fighters over the years, chatted with others while getting promotional photos and during before and after “meet and greets” while at live events. Every single fighter I’ve met has been extremely nice, unassuming, dedicated to fans, and (though it sounds silly) very sweet. It took only a few questions to see how much they give to the sport they love, the discipline it takes to stay in training, and the confidence they gain from having extreme ability. Since I’ve never asked a fighter about his love life, that part of the story is pure imagination on my part. But then I only write good guys, and talented lovers. 

What is your process for choosing names like Cannon Colter?

I’m a terrible cheat when it comes to names. More often than not I see a name on Facebook or Twitter that I like. I never, ever use a first and last name together, but I do pick and choose and mix and match. When I see a unique name, or a name that resonates with me, I grab it up. When I’m writing, I’m far less focused on names than I am on personality. Names for me are an afterthought, so stealing from my social media sites makes it easy.

What are Cannon and Yvette’s best physical traits?

Although Cannon is a fighter with a shredded bod, it’s more his smile and his eyes that get to Yvette. He has a very sincere smile, because he’s a very sincere guy. And when he looks at a person, it’s felt through and through.

For Yvette, she has long beautiful hair, but it’s more about the deceptive confidence she tries to exude that draws Cannon – that, and the way she looks at him like he’s a superhero. What guy could resist that?

What is the best scene (in your opinion) between Yvette and Cannon?

There’s a fun scene where Yvette is at the rec center (the gym) and the fighters start arguing. Cannon is irked, his buddies are irked, and Yvette thinks they might come to blows. She tries to put herself in the middle and sort of gets sandwiched between some pretty hot flesh. I smiled while writing it, so I hope readers smile when they read it.

The poor guys didn’t know what to think. They’re big, physical guys who don’t mind working out a few differences on the mat, but they’re also friends, and they’re fighters with a load of control often utilized in a fight. But with Yvette, they all want to be gentle – while struggling to figure her out.

What music did you listen to while writing NO LIMITS?

I have a long playlist of about 150 songs. Much of it is from KORN and Kid Rock and Marilyn Manson, but I’ve also really gotten into Disturbed, The Pretty Reckless, Papa Roach, Skillet and Puddle of Mud. Oh, and Cage the Elephant. I like loud, strong music that I can sing along with while I’m writing. 

How is this series different from your previous works?

The Ultimate series is a different setting, different characters, different plots – and yet you still visit some of the characters from Love Undercover series since it remains in the same fictional city and state. In the last series the focus was on Rowdy’s bar and the police station. There are visits to the bar still, but much of the action takes place at Cannon’s rec center and in different houses owned by the characters. 

The stories remain super-sexy, the guys remain alphas, the women remain smart and independent, and elements of suspense go throughout both series. But I hope each character has their own personality and for me, that’s where the differences should be most evident.

What character did you find yourself most drawn to, and why?

I love Armie Jacobson – and I’m pretty sure readers will too. He’s outrageous, too sexy, has effortless talent in the cage, and a wounded background that has influenced his life greatly. I love all the guys – Gage, Cannon, Denver, Stack... but Armie stands out.

Do you prefer writing about small town romance settings (like in NO LIMITS) or city settings?

I’m not sure I’ve ever written a large city setting. Smaller towns, always fictional, work best for me because I like the lack of anonymity in a small town. Everyone knows everyone, or has at least heard of everyone, and it can lead to some touching, and embarrassing, situations. I like the warmth of knowing your neighbors and caring about them. And I like the ease in creating the town.

Who would play Cannon and Yvette in a book-to-film adaptation?

Josh Duhamel, while a little too old, would make a fabulous Cannon! He’s big and gorgeous and built. I think he’d be perfect if NO LIMITS was ever made into a movie. For the heroine, Mila Kunis is beautiful and I can easily picture her as Yvette. They’d make a hot couple!

What are your five favorite verbs to use during a love scene?

Favorite verbs to use in a love scene... Only five, huh? Wow, that’s difficult. How about catch/caught, press, contract, nuzzle/nibble, lick/suck. I’m not sure I could write a full love scene without them. 

Can you tell us about the process behind the cover artwork?

Ooooh, I LOVE getting new covers, it’s so exciting. The way it works is that I give my editor an idea of what the characters look like. Usually this means emailing her my own character sheets – notes I keep on the characters to detail (and help me remember) height, eye and hair color, body type, etc... I usually include any and all info like the car he/she drives, job description, age and any other pertinent information that I might need to recall from book to book.

My editor also asks for a synopsis, but since they usually start working on covers long before I know what the story is about, it’s a guessing game on my end. I know there’ll be a hunk, a heroine, some suspense, hot sex, lots of emotion, and a happy ending. The how and why is often not clear to me at that point.

Then the publisher has a meeting with the art department and they brainstorm cover ideas and come up with a concept that I get to see. 

The concept is just an idea. It’ll show a model, but not THE model. It’ll show a pose, but not THE pose. I see where the placement of my name and the title will appear, along with any quotes.

Once that’s approved, the art department does a photo shoot and from those images they choose the one they like best. I weigh in with pleas of chest hair. Chest hair is always my #1 requirement if they show the model with his shirt off. To be clear, this is for new novels, not novellas or re-issues. For those they generally use stock art. It’s all very fun and I can honestly say I’ve loved the artwork so far.

If you were stranded on a desert island with one of your many characters, who would you choose and why?

Since I’m an enormous wimp and not at all heroic, I’d love to have Trace with me, from Trace of Fever. He’s bossy and take-charge and lethal. He knows what he’s doing, how to protect and how to survive. Plus I think he was pretty sexy. 

If it needs to be a character from my current Ultimate series, I’d say Denver – for many of the same reasons. He’s far more autocratic than Cannon or Armie or Stack. He’s big, brawny, and when necessary he can be lethal. I’d feel safer with a real bad ass if I had to be stranded. 

What was the most difficult part of the process when writing NO LIMITS?

My heart broke for Yvette. She’s one of more damaged heroines I’ve ever written (although there have been a few) and she struggled so hard for her independence. More than anything she wants Cannon, but because he’s so brave and strong she doesn’t feel quite worthy, and the stigma of being seen as a victim really hit her hard. I image something like that would be very, very difficult to overcome.

Have you written an outline for the NO LIMITS series or do you make it up as you go?

I totally make it up as I go along. Or I should say my characters make it up. I never try to figure things out in advance because as sure as I do, the characters will have a different idea and they’ll rebel, making it difficult to write until I give them their way. Fighting it is futile. But since they’re seldom wrong, it works for us. (And yes, I’m nuts. I don’t fight that either.) 

Usually the characters will give me enough clues along the way to keep the writing flow steady. For instance, while I was writing NO LIMITS, Denver stepped up and talked about Cherry and made it clear his book needed to be next. Now while I’m writing HARD KNOCKS (Denver’s story) Stack is giving me nudges, saying, “Me next, me next. And I’m going after Vanity... whether she or I know it yet or not.” So that’s how I know Stack’s story will be after Denver’s.

Armie has said he wants to wait, stew on things a while, come to grips with his future... so I’m letting him get used to the idea of what is to come.

What was your go-to snack while writing NO LIMITS?

Goldfish cheese crackers and pretzels. Occasionally I drink Mountain Dew when I need more caffeine but I usually snack with Lipton Citrus Green Tea as my drink. 
I also love baby carrots. And far too often I cave to the call of the Pringles can. 

What’s your favorite part of the book?

There’s a fight scene in the book. Not a sporting match, but an angry, defensive, you-dared-touch-what-is-mine kind of aggression filled with rage and loss of control and an awakening of strong emotion. Call me barbaric but I love writing scenes like that. I love getting down to the basics of how love can affect a person, whether it’s in sex or fighting off danger or just showing vulnerability awareness. It’s the real stuff people are made of.

What are you working on next?

I’m writing Denver’s story right now, titled HOLDING STRONG. It’s due out in spring 2015 and I’m loving Denver and Cherry together – and them as a couple with the rest of the fighters around. It’s a very fun dynamic. 

After that I’ll do another benefit novella for June 2015. It’ll be part of the Buckhorn family and all proceeds from sales of the book will go to a charity. I’m not yet sure which of the Buckhorn clan will be featured, but I’m sure it’ll all come to me in plenty of time.

And then I’ll jump into Stack’s story. He should be ready by then – which means I’ll also be ready. Luckily the characters keep me writing. In fact, if there were more hours in the day, I’m not sure they’d ever let me stop!

About the Book

Amazon

A surprise inheritance reunites a mixed martial arts fighter with the woman he’s never forgotten in the first in a smoldering new series!

Cannon Colter is quintessential hero material: chiseled jawline, shredded body—the works. He’s also the guy who rescued Yvette Sweeny from kidnappers, only to put an end to her romantic dreams. These days, she’s older, smarter, determined to face whatever life throws her way. Even the prospect of sharing a house and business with Cannon.

Cannon knew Yvette wanted him three years ago. But she was young—and some things are worth waiting for. Thrown together by her grandfather’s legacy, he realizes how deep Yvette’s scars really go, and how much danger lurks in their quiet town. As pent-up desire explodes between them, protecting her becomes the only fight that matters. And he’ll break all the rules to do it…